Carrie Kahn – Page 2 – Spinning Platters

Film Review: “Jay Kelly”

Clooney, Sandler explore the cost of fame in Baumbach’s newest

Actor Jay Kelly (George Clooney) prepares to attend a tribute in his honor.

Jay Kelly isn’t a documentary, but you’d be forgiven if you mistake it for one. The picture, directed by Noah Baumbach (Marriage Story) and co-written with the actress Emily Mortimer, is about an aging actor facing his mortality and reflecting on his personal and professional choices. That the titular fictional actor is played by George Clooney creates an odd melding of fact and fiction. As we watch Jay consider his past, present, and future, we can’t help but wonder how much of what we’re seeing on screen is really about Clooney himself. That dichotomy brings an added layer of curiosity to an already thoughtful and absorbing film.

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Film Review: “Christy”

Sweeney, Foster deliver knockout performances in affecting boxing biopic

Christy (Sydney Sweeney) contemplates her next move in the ring.

If you’re not a boxing fan, you may not have heard of Christy Martin, a super welterweight champion of women’s professional boxing. Netflix covered her personal and professional life story in its excellent sports documentary series Untold back in 2021’s “Deal with the Devil” episode, and Hollywood obviously found the material worthy of dramatic spin. Hence the release of Christy today, with actress Sydney Sweeney portraying the resilient boxing champ in an absorbing and well-acted biopic. Continue reading “Film Review: “Christy””

Film Review: “Springsteen: Deliver Me From Nowhere”

Down and out in New Jersey: Bruce struggles—and so does the film

Bruce Springsteen (Jeremy Allen White, l.) talks with his manager, Jon Landau (Jeremy Strong).

Bruce Springsteen’s loyal longtime fans are bound to love the awkwardly-titled Springsteen: Deliver Me from Nowhere, but whether or not anyone else will is questionable. Those seeking a comprehensive biopic of the rock star in the vein of Rocketman (Elton John), Back to Black (Amy Winehouse), or Bohemian Rhapsody (Freddie Mercury) won’t find it here. Instead, based on the 2023 book Deliver Me From Nowhere: The Making of Bruce Springsteen’s Nebraska by Warren Zanes, the picture covers only one specific moment in Bruce’s life: the period when he wrote and recorded his 1982 album Nebraska. Continue reading “Film Review: “Springsteen: Deliver Me From Nowhere””

Film Review: “After the Hunt”

Top talent wasted in uninspired Ivy League drama

Yale graduate student Maggie (Ayo Edebiri) has a serious conversation with her professor, Alma (Julia Roberts).

Luca Guadagnino’s Call Me By Your Name earned the coveted #1 spot on my Top 10 List back in 2017, but none of his films since then have come close to that level of excellence. While last year’s Challengers was at least decently entertaining, Guadagnino’s newest, After the Hunt, is another disappointment. Continue reading “Film Review: “After the Hunt””

Film Review: “Fairyland”

San Francisco-set dramatization one of year’s best

Alysia (Emilia Jones) shares a moment with her dad, Steve (Scoot McNairy).

One of the best movies of the year opens today, and it also happens to be a quintessential San Francisco film that a smart theater programmer (Roxie? Vogue?) might put on a double bill with the award-winning 2008 Harvey Milk biopic Milk. Also based on a true story, Fairyland similarly captures a time and place in San Francisco history that makes the personal political and vice versa. Continue reading “Film Review: “Fairyland””

Film Feature: MVFF48 Festival Preview #2

If it’s October, it must be Mill Valley. Yes, everyone’s favorite fall film fest opens tonight, Thursday, October 2nd. You can check out the full program here, and don’t despair if a screening is listed as “standby”: more tickets may be released before the screening date, and same-day wait list tickets most likely will be available. Check out the Box Office for more information. We already presented a sneak peak of three of of this year’s offerings, and below we highlight five more: four great features and an equally worthy documentary. See you at the Fest!

1.) Metallica Saved My Life
(United Kingdom, 2025. 99 min.)

Anyone looking for a sort “Behind the Music” exposé about Metallica would be better served by watching the 2004 documentary Metallica: Some Kind of Monster. That the band is still together 20+ years since that film is a testament to its staying power, which aligns with the angle this new doc takes. “Metallica is everybody” is the rallying cry of Swedish director Jonas Åkerlund’s new film, which Metallica’s PR team is no doubt swooning over. Despite its Metallica-can-do-no-wrong vibe, this documentary about the band’s devoted fans is infectious and disarming. Filled with stories of people from all walks of life and all across the globe who have found solace, connection, and joy in the band’s music and concerts, the picture paints a warm portrait of a Metallica family that embraces anyone who wants to love the band and its community. Particularly affecting interviews from a trans man in Austin and fans from Iraq, Botswana, and Ukraine are emotionally raw, and help keep the picture from sinking too deeply into hagiography. Metallica band members are also interviewed, and they come across gracious and sincere in their appreciation of their fans. Sure the film is terrific PR, but it’s also genuinely uplifting.

Screenings (click here for tickets):
– Thurs., Oct. 9th, 6:00pm at CinéArts Sequoia, Mill Valley (at standby)
– Fri., Oct. 10th, 3:00pm at Smith Rafael Film Center

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Film Review: “Dead of Winter”

Thompson is a formidable foe in fun, snowy thriller

Barb (Emma Thompson) stumbles into a dangerous situation in the… wait for it… dead of winter.

The chill is as palpable as the midwest accents in Dead of Winter, a brisk 90-minute thriller that compensates for some glaring plot holes with an otherwise engrossing story and a stellar, go-for-broke performance by Emma Thompson. Continue reading “Film Review: “Dead of Winter””

Film Review: “Relay”

Ahmed best reason to see predictable corporate thriller

In a brief scene in the new film Relay, its star, Riz Ahmed, gets a chance to use the sign language skills he picked up in his 2020 Oscar-nominated performance in Sound of Metal. That’s a cool throwback for Ahmed fans, and, given his exceptional talent (see also Encounter, Nightcrawler, and HBO’s series The Night Of), he no doubt has many. But his fans may be disappointed in Relay, a serviceable corporate espionage thriller in which Ahmed’s performance is the only bright spot. Continue reading “Film Review: “Relay””

Film Review: “Weapons”

It’s 2:17 am. Do you know where your children are?

Nothing to see here… just young children running into the night at 2:17 am….

Zach Cregger triumphs with Weapons, proving the success of his 2022 critically acclaimed horror movie Barbarian was no fluke. Indeed, the writer/director’s sophomore effort is the better picture. Clever, downright scary, and at times laugh-out-loud funny. Cregger’s new film brings freshness to a glutted genre in need of something new. Continue reading “Film Review: “Weapons””

Film Review: “Bad Shabbos”

Bad Shabbos makes for good viewing

A meeting of soon-to-be in-laws goes horribly awry at a most unfortunate Shabbos dinner.

Fans of the Netflix series Nobody Wants This will love Bad Shabbos, a new film that similarly deals with an interfaith relationship, this time between the Jewish David (John Bass) and the Catholic-raised Meg (Meghan Leathers). Director Daniel Robbins’s film is more farcical than the Adam Brody/Kristen Bell series, but shares some of its sweetness, as well as some of its more cliched stereotypes. That the movie won the Audience Award for Best Narrative Feature at last year’s Tribeca Film Festival is no surprise. Lightweight but amusing, the picture is a definite crowd pleaser.
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