Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
If you loved Kieran Culkin as the brutally honest but sensitive Roman Roy in Succession, you’re bound to enjoy his work in A Real Pain. As Benji in Jesse Eisenberg’s new film, Culkin creates a similar character whose lack of social filters and often inappropriate bluntness masks deep empathy and pain. Eisenberg also co-stars as Benji’s more buttoned up cousin, David. The duo’s performances help make A Real Pain one of the year’s best films.
Filmmaker Sean Baker first gained acclaim with his 2015 iPhone-filmed indie Tangerine. He continued his ascent with the equally well-received The Florida Project (2017) and Red Rocket (2021). Now, with his new movie Anora, writer/director Baker may finally find himself on the receiving end of an Oscar, for screenplay, directing, picture, or even all three. And his leading lady, Mikey Madison, is bound to earn an acting nomination for her incomparable performance as the titular Anora.
That the new film Saturday Night opens this Friday, October 11th, is no accident. Exactly 49 years ago to the date, Saturday Night, the original title of the iconic late night sketch show Saturday Night Live premiered on NBC. Director Jason Reitman’s movie, which dramatizes the chaos immediately preceding the airing of that first trailblazing episode, is the perfect homage to the long-running live program that is about to enter an incredible 50th season.
We’ve already shared two previews for you (here and here), but at last the day is almost upon us: the 47th Mill Valley Film Festival opens tomorrow, Thursday, October 3rd, and runs until Sunday, October 13, 2024. Screenings take place in Marin County theaters and at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). For a complete listing of all films and special programming, check out the full Festival program.
Below is our third and final preview of the Festival, highlighting two documentaries and one feature. See you at the Fest!
Continue reading “Film Feature: Preview #3 of the 47th Mill Valley Film Festival”
That In the Summers is being widely released today, just at the start of fall, as long summer days become distant memories, is appropriate. The film is a quietly moving, often profound meditation on the passage of time and the peculiar way it seems to move in slow motion for children, whose awakening to the imperfections of their parents can take years. Colombian-American filmmaker Alessandra Lacorazza Samudio’s remarkable first feature-length film earned her both the Grand Jury Prize and the dramatic directing award at this year’s Sundance Film Festival. More awards are sure to come for this affecting, unforgettable film, which is one of the year’s best.
Anyone who thinks Hollywood has no original stories left should immediately go see The Substance. It’s one of the most unique, startling, and unforgettable films you’ll see this year. It also happens to be one of the most insane, visceral, and downright gory pictures in recent memory, so if you’re at all squeamish, this movie isn’t the best choice for your Friday night cinema outing.
Whether you think she’s a traitor or a hero, you can’t argue that Reality Winner’s story is the stuff of Hollywood screenplays. Last year HBO premiered Reality, a docudrama based on a 2022 play that featured actual dialogue from FBI transcripts. Now Winner, a fictionalized, far less serious but no less entertaining take on the young woman’s story drops on streaming services. The picture may be a bit too blithe for its own good, but if you’re at all fascinated by Winner–and it’s hard not to be–you should give it a watch.
The San Francisco Jewish Film Festival concluded a few weeks ago, but lucky for you its Centerpiece Narrative film opens widely today. While Between the Temples is without a doubt thematically very Jewish, it’s also very universal. Audiences of all stripes will find moments of humor, grace, and wisdom in this charming film.
Director Lee Isaac Chung, who garnered well deserved attention and a Best Director Oscar nomination for his affecting indie family drama Minari back in 2020, tries his hand at a big summer blockbuster with Twisters, a sequel of sorts to Twister, the box-office success that opened way back in 1996. Lee should stick to indie fare. Twisters is at best a serviceable piece of entertainment, and, at worst, an uninspired and unimaginative virtual reboot of the original.
Icelandic director Baltasar Kormákur, known for his edge-of-your seat survival adventure pictures like Everest and Adrift, might not be the first name you’d think of to adapt a romantic mystery for the big screen. But with Touch, his adaptation of fellow Icelander Olaf Olasson’s 2022 novel of the same name, Kormákur proves he’s just as skilled at plumbing the depths of the human heart as he is the drive of the human spirit.