SF Sketchfest Review: The Tobolowsky Files at Yoshi’s SF, 1/27/2013

Stephen Tobolowsky, looking very dapper indeed.
Stephen Tobolowsky, looking very dapper indeed.

Most people know Stephen Tobolowsky for the roles he’s played: Ned in Groundhog Day, Sammy Jankis in Memento, or perhaps giving a sexy line reading of “passport” in Sneakers. But there are a growing number of people in the corners of the Internet who know him not just for his acting, but also for his storytelling prowess, as heard on the podcast that shares the name with tonight’s event, The Tobolowsky Files.

The Tobolowsky Files podcast started as an offshoot of my favorite movie podcast, The /Filmcast. He came to their attention through a film called Stephen Tobolowsky’s Birthday Party, a fantastic film in which his birthday is celebrated by him telling stories about his life. Now, he makes it very clear in every episode of the podcast, and again tonight, that all of his stories are true, and that all of them happened to him. He says that “the truth trumps clever ever time,” and because of this, he refuses to tell friend-of-a-friend stories. (To  hear the genesis of this, you can listen to his interview on the Pop My Culture podcast.)

Now these stories aren’t just your typical Hollywood actor stories about working on famous films (although those are included). Tonight at Yoshi’s, for example, he told of how he experienced a miracle on a trip to Iceland, how he learned about a Talmudic interpretation of Psalm 94 called The Afflictions of Love, and about a remarkably astute conversation he had with a dog. The stories themselves twist and turn in ways that it would be unfair for me to describe. These become classic stage monologues in his hands, bringing the audience both laughter and tears. These are fascinating tales, well told.

There was a brief slideshow in the middle of the event followed by a Q&A, where Tobolowsky gave an important tip to storytellers everywhere: write down what happens in your life so you can remember it later. He was also asked to talk about authors who inspire him, and named Dickens, George Eliot, Shakespeare, Chekhov and Loren Eiseley, but also admitted he’s afraid to read others when writing for fear he’s steal from them. Finally, one audience member asked him to talk about auditioning for Glee, and he happily told that story as well.

With the increasing exposure national public radio will be bringing to The Tobolowsky Files, I expect him to become somewhat of a sensation in the public radio crowd (we know who we are). I strongly recommend both the podcast itself and his new book, The Dangerous Animals Club.

Show Review: An Evening With Tony! Toni! Toné! at Yoshi’s – Oakland, 12/23/12

tony main
Dwayne Wiggins. Guitar Hero.

The Bay Area has an amazing history of legendary musicians, although people tend to focus primarily on our 60’s hippy days when it comes to the history books. People often forget about our rich R&B history. Oakland was the birthplace of Sly & The Family Stone, Tower of Power, En Vogue, Sheila E, and many, many more. Tony! Toni! Toné! have been an Bay Area institution for nearly 25 years, and in recent years, they’ve started a tradition of playing the iconic Yoshi’s in Jack London Square right before Christmas. I had the honor of seeing this band for the first time at the last set of that six show residency last night.

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Show Review: Cody ChesnuTT at Yoshi’s – SF, 7/12/12

I find it hard to believe that 2002 was 10 years ago. This was the last time that we heard from Cody ChesnuTT. He released a brilliant record called The Headphone Masterpiece. It was a two CD set, recorded at home, and was one of the most refreshing R&B records of it’s time. He managed to balance out the fine line between neo soul and indie rock in a truly inventive way. Both The Roots and Miranda July sang his praises, but it didn’t seem to be enough, and nearly as soon as he burst onto the scene, he was gone. I genuinely thought that this was going to be his sole artistic contribution to the world. Then, as I often do, I found myself scrolling through the listings of local venues, and found ChesnuTT playing a show. Of course, that meant that I was going to the show.

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Show Review: Jordan Knight at Yoshi’s San Francisco, 3/12/2012

Jordan Knight, in all his charismatic glory...

Many of you aren’t going to believe me when I say this, but that won’t stop it from being true: the New Kids on the Block just keep getting better with age. Here’s how I know this: I’ve been a fan since I was a first grader. Back then, for me, it was definitely more about cute boys and catchy music than whether or not someone had any actual talent. Happily, though, by the time that ceased to be true, the vocal and musical talents of the group’s main singers had begun to impress me more than I ever dreamed they would. And even if you don’t believe me enough to give them a listen, the photos speak for themselves: these guys are making forty-something look unbelievable. But perhaps I digress a bit…

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Show Review: Mia Doi Todd with Bells at Yoshi’s SF, 3/7/2012

The lineup at Yoshi’s San Francisco on Wednesday evening was basically the ideal music program for a dreamy hipster cruise of the Caribbean. It was a night of transporting melodies and gently swaying rhythms, soothing vocals and sleepy-eyed acoustics. There were moments I could literally feel little blasts of sea breeze on my face. But then Mia Doi Todd complained that the air conditioner was too strong, so they turned it off.

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Show Review: The Spinners at Yoshi’s – Jack London Square, 2/3/12

Photos By Emily Anderson

When we started Spinning Platters back in 2009, we really weren’t thinking about the fact that our name could remind people of two ground breaking, classic R&B groups. We were really trying to get at a pun on records, CD’s, and hard drives. I’m not sure where the trigger came from reminding us of The Platters and The Spinners, but I decided that we needed to be there the next time either act played. Due to legal reasons, it seems that the likelihood of a Platters show is slim, but when Yoshi’s announced a three night stint with The Spinners, well, I had to seize this moment.

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Sketchfest Review: Reggidency: A Reggie Watts Series

Where my gerunds at?
Where my gerunds at?

Comedy, as a method of entertainment, works best when we can relate to the entertainer, and the exaggeratedly hilarious (yet quite often true) stories that they tell. Most standup artists use this science as the core of their act, pointing out the sometimes terribly obvious, but far more often insignificant, details that we all have experienced, barely speak about, and yet go through on a regular basis. That excess blast of thought over such inane minutiae succeeds at hitting our funny bones hard, not only because of the presentation, but because we can, in fact, relate. If this is a regular formula for comedic success, then anyone willing to break the mold and give those common trivialities a winning partner with absurdity, disconnection, and whimsical rambling has the potential to turn heads, and in the case of Reggie Watts, he succeeds spectacularly, and leaves you wondering what the hell just bowled you over with laughter.

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Sketchfest Review: An Evening With Ann Magnuson at Yoshi’s – Oakland, 1/24/12

Photo By John Bertram

Sketchfest brought made it’s way to Oakland for the first time. The performer that brought the fest across the incredibly long bridge was legendary performance artist Ann Magnuson, debuting her new show,  A Salon des Beaux Arts for the Fin du Monde 2012. SpinningPlatters were lucky to be able to enjoy this intimate show at Oakland’s legendary jazz club/Japanese restaurant Yoshi’s.

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Show Review: Matthew Sweet at Yoshi’s – SF, 12/27/11

Comedian Greg Behrendt does a bit about the “grown up rock show.” A show where everyone is over 25, the band only plays hits, and the show is over in time for you to get home and watch Law & Order. No openers, no new material. It seems that the trend that’s been brewing for the last 5 years or so of playing a classic album front to back was inspired by this concept. The Matthew Sweet show at Yoshi’s, featuring Girlfriend in it’s entirety, definitely felt like this. There were few people in the crowd under the age of 30. Everyone showed up on time, a show that started at 8 PM on the nose, and ended shortly after 9:30. And it was beautiful.

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Show Review: Bettye LaVette at Yoshi’s Oakland, 7/21/2011

Bettye LaVette performing earlier this month. Photo by Nancy Rae Gilliland.

Bettye LaVette, the 65-year-old soul phenom who toiled in relative obscurity for over 40 years before exploding onto the buzz meters with her 2005 collection of female singer/songwriter covers, I’ve Got My Own Hell to Raise, played to a overflowing, standing-room-only crowd at Yoshi’s in Oakland on Thursday evening. LaVette has a special attachment to the Bay Area, as her self-proclaimed “return from the crypt” was largely triggered when she was signed to the SF-based Rosebud Agency. And that gratitude was lovingly incorporated into her stunning 90-minute set of one explosive show-stopper after another.

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