Woody Allen

Film Review: Wonder Wheel

by Carrie Kahn on December 8, 2017

Allen’s newest far from Wonder-ful   

Lifeguard and wanna-be writer Mickey (Justin Timberlake) has an affair with the unhappily married Ginny (Kate Winslet).

Let’s first address the elephant in the room. Yes, Wonder Wheel, writer/director Woody Allen’s newest, is about a man who finds himself falling in love with his girlfriend’s step-daughter. I suspect there are many filmgoers who have made up their minds about Allen, and so either won’t see this particular film because of its uncomfortable parallels to his real life, or because, in agreement with his daughter Dylan Farrow’s recent essay, they don’t want to support the work of an accused sexual predator. If you fall in one of those categories, you need read no further, but for those of you who still remain curious and open to Allen’s art, there is another, more pedestrian reason to avoid this picture: it’s just not very good.
[read the whole post]


Irrational movie goer: Watch Woody Allen contemplate the meaning of life. Again.

Abe (Joaquin Phoenix) and Jill (Emma Stone) overhear a conversation that will change both their lives.

Your interest in seeing Irrational Man, Woody Allen’s newest film, will largely depend on your level of interest in existential philosophy. Allen does give us fair warning as to what he’s up to, though; his chosen title shares the same name as William Barrett’s seminal 1958 book Irrational Man: A Study in Existential Philosophy, an introduction to the philosophy’s basic concepts and major thinkers. So if you were on the edge of your seat during your Philosophy 101 days, then this film’s for you; if not, then you might want to skip this class – er, film.

[read the whole post]


Spinning Platters film critics Carrie Kahn and Chad Liffmann present their Top 10 Films of 2013.  Here’s Carrie’s list, presented in alphabetical order.

1.) All is Lost
Robert Refdord struggles against the elements in All is Lost.

Robert Redford struggles against the elements in All is Lost.

That a film with just a single actor and virtually no dialog can be absolutely riveting is a testament both to Robert Redford’s brilliant acting and to writer/director J.C. Chandor’s exceptional skill at his craft. Redford says more with his rugged face and worried eyes than most actors do with a wordy, five-star script. Not since Jaws and The Perfect Storm has a film so totally absorbed us in a man-against-sea survival story. And Chandor’s ambiguous ending lends itself to hours of debate and discussion; everyone who has seen this film has a strong opinion, and that a near-silent film can generate such passion makes it special and noteworthy. [read the whole post]


Film Review: Blue Jasmine

by Carrie Kahn on August 2, 2013

A Muni bus named 14-Mission: Blanche DuBois on South Van Ness

Jasmine (Cate Blanchett) ponders her life in Woody Allen's Blue Jasmine

Jasmine (Cate Blanchett) ponders her future with the help of a little whiskey

I am willing to forgive Woody Allen the misstep that was last year’s disappointing and forgettable To Rome With Love, since perhaps he needed to get that rote entry out of his system in order to make one of his finest films in years, Blue Jasmine. Sure to become one of his best known pictures, on par with such perceptive and tightly constructed works as Interiors, Crimes and Misdemeanors, and Match Point, this terrific film will no doubt be a strong contender for Best Picture, Best Original Screenplay, and Best Actress at Oscar time.   [read the whole post]


Marion Cotillard and Owen Wilson in MIDNIGHT IN PARIS

starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Michael Sheen, Kathy Bates, Carla Bruni, Adrien Brody, Tom Hiddleston, Alison Pill

written and directed by: Woody Allen

MPAA: Rated PG-13 for some sexual references and smoking.

[read the whole post]