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Warfield Theater

This cat brings his "vixens" out to play.

I emailed a friend talking about how I was about to see Brian Setzer, and she responded, “is he still around?” Well, thank goodness he is, because last week he collapsed on stage, making me wonder if the tour would go on. It got me looking him up on Wikipedia to see that he’s 50 years old, and that it was 15 years ago that he put out the first Brian Setzer Orchestra CD. He’s had a long and varied career, and he’s definitely still around. So how’s he holding up? [read the whole post]

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The Used’s set began with an intro video of footage from past tours mixed with stock footage of planes taking off, cars passing by, and scenery changing as if shot from a window of a car. I am not sure most of the fans knew what to think of this semi-heartfelt intro. Backed by a piano and some strings, it seemed like it, as well as most everything with this set could have been better. When the video ended, the entire band just walked on stage.  It was kind of anticlimactic for such a drawn out intro. [read the whole post]

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This is what Paramore looked like a couple of days ago

This is what Paramore looked like a couple of days ago

Last month, I posted a review of the band Heart at The Warfield. In the review, I mention the band Paramore in a very positive light. In the comments, somebody posted this question:

Question: What is the importance of a band like Paramore? (Serious question — I’m 38 years old. :) )

When I wrote this review, it was expected I would have already written quite a fair amount about this band, and the kind reader would not have been confused. But, this show was moved from the beginning of the tour to the end of the tour, and I had yet to write a review of the new record, brand new eyes. Well, since this show has finally happened, I think it’s fair of me to, within discussion of this performance, to help describe why the band Paramore is truly important, and additionally, why a 38 year old Heart fan should know what his/her niece already understands.

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If life's a long song, tonight was a lot like life.

If life's a long song, tonight was a lot like life.

Monday night was supposed to be a night off for me. I was simply going to sit and relax at the Warfield, enjoying a quiet evening of acoustic Jethro Tull songs. I’d chat with my friend, drink some bourbon, and rock out to killer cuts from the Jethro Tull catalog. But something amazing happened that I wasn’t expecting, and I just had to share it with you. [read the whole post]

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Gravity is optional.

Gravity is optional.

Why review Heart? Why now? They haven’t been relevant in quite a long time, and the last round of hits were arguably pretty hokey power ballads.

Well, there are a number of reasons to revere Heart. Primarily, they were the first rock band where women called all of the shots. They had complete creative control over songwriting, as well as marketing. Even if Heart were terrible, they still deserve a place in Rock n’ Roll history. (Seriously, Rock and Roll Hall Of Fame. I love the punk rock, but how aren’t Heart inducted yet?)

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That tambourine at Ian's feet is mine now

That tambourine at Ian's feet is mine now

The Cult came to the Warfield on a Sunday night as part of their Love Tour, a show that has them playing through their classic first album on a nightly basis.  When bands play the full albums, fans get excited in advance, but having seen a number of these shows for myself, they’re usually boring affairs, as you already know what’s coming.  What’s the fun of track eight, “Revolution,” when you know that track nine, “She Sells Sanctuary,” comes next?  Well, I’ll tell you what kind of fun that is. [read the whole post]

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