SF Sketchfest Review: Nellie McKay with Tom Brosseau at The Verdi Club on 1/25/2014

Nellie McKay at The Rrazz Room, February 2012
Nellie McKay at The Rrazz Room, February 2012. The drummer and bassist did not come with her this time.

It’s been 4 long years since the last time Nellie McKay has released an album of original material. The last few times she’s come to California, she’s performed “I Want To Live,” a retelling of the story of Barbara Graham, the third woman every executed on death row through modern pop songs. It’s been a long time since we’ve gotten to enjoy a set of Nellie McKay songs done by Nellie McKay. I was both surprised and delighted to see her on the Sketchfest line up doing an “all music” set. So excited that it was the first show I bought when Sketchfest tickets went on sale, and I’ve been waiting for this day for six weeks. Continue reading “SF Sketchfest Review: Nellie McKay with Tom Brosseau at The Verdi Club on 1/25/2014”

SF Sketchfest Review: Smug Shift on 1/24/2014

Photo by Mindy Tucker
Photo by Mindy Tucker

Another year, another Sketchfest, another installment of Smug Shift. It seems just yesterday I was ream-deep into my first SF Sketchfest, jotting notes with a juvenile sincerity dormant since the beginning of middle school (where it all went wrong). Over the overworked, overwrought ordeal, only one show reached personal perfection: Smug Shift, a concoction of former Bay Area-based boons Moshe Kasher and Brent Weinbach. Last night at the Verdi Club, the show stretched its wings and lifted its head skyward with rekindled opulence: a weird, phallic phoenix. Continue reading “SF Sketchfest Review: Smug Shift on 1/24/2014”