Top 10 Films of 2014

Spinning Platters film critics present their top 10 films of 2014

Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2014.  Here is Chad’s list, presented in reverse order of greatness; you can also see Carrie’s list here.

10.) Snowpiercer
Chris Evans rises to the occassion.

Chris Evans rises to the occassion.

Snowpiercer, Bong Joon-ho’s masterful post-apocalyptic thriller, was forced to fly beneath the radar since it was released on the same day as the horrific yet unfortunately box office dominating Transformers: Age of Extinction.  Set in a human-created ice age in which the last survivors on the planet ride around on a crazy-long bullet train, Snowpiercer uses its science-fiction fantasy premise to punctuate some terrifying reflections on the socio-political tensions of modern day society.  Chris Evans turns in another solid action hero performance (duh, Captain America) and Tilda Swinton is wicked good as the cruel and quirky “voice”/messenger of the upper class.

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Spinning Platters film critics present their top 10 films of 2014

Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2014. Here is Carrie’s list, presented in alphabetical order. And you can see Chad’s list here.

1.) Boyhood

Patricia Arquette and Ellar Coltrane are outstanding as a mother and son who grow and change together.

Filmed intermittently over 12 years, Richard Linklater’s film chronicling a boy named Mason (Ellar Coltrane) from ages six to 18 in real time is both a technical marvel and a cinematic masterpiece. There has been nothing like it before on screen, and there will no doubt be nothing like it again. Utterly unique in scope and vision, the film lets us watch a life develop in front of our very eyes, with all of its attendant hopes, dreams, achievements, and disappointments. Patricia Arquette and Ethan Hawke play Mason’s parents, changing and growing right alongside him and his older sister (Lorelei Linklater). An absolutely dazzling achievement that will leave you breathless and awed, Linklater’s picture is sure to be the one to beat for Best Picture come Oscar time. (You can also read Gordon’s full-length review here).

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