Show Review: John Carpenter: Live Retrospective at the Fox Oakland, 6/17/2016

John Carpenter
John Carpenter

Music in film is an often-celebrated phenomenon, but it seems to exist primarily in the medium it’s made for. Occasionally, composers and songwriters will offer up their works for public or private performance, though they themselves may not be in attendance, and in general the world of film music feels very separate from that of “traditional rock music”, i.e. the bands that release albums and promote them with live tours. The phenomenon of a live tour by acclaimed horror director John Carpenter, therefore, is even more impressive; his musical works not only require an actual band to perform (with synthesizers and guitars driving the melodies, rather than orchestras and choirs), but the tunes are steady, driving, and in small enough bits that they are easy to digest — this isn’t a random night at the symphony, folks! In addition, Carpenter himself wrote the scores to a good chunk of his films, so the live performance of compositions and overtures from his classic works could now be experienced with an ever more present vitality.

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Film Review: Fantastic Four

Fantastic Four is short and to the point, but pointless.

Four horsemen of the apocalypse, without the horses, and with one woman.
Four horsemen of the apocalypse, without the horses, and with one woman.

If you were clamoring for a reboot of the Fantastic Four movie franchise ever since 2007’s Fantastic 4: Rise of the Silver Surfer, you can probably assume that you’re in a small minority. I can safely say that not many people were interested in a new Fantastic Four movie, nevermind watching an attempt to relaunch the franchise in a more dark, gritty, and “character driven” storyline, a la X-Men: First Class and just about every superhero movie these days. Not all super hero movies need to follow the same exact formula again and again and again. It’s getting tiresome. The new Fantastic Four is no different. Even considering its weak editing and laughable story structure, it still manages to fall victim to comic book adaptation formula. I will concede one small victory to it—a reasonably short running time of 1 hour 45 minutes. It was nice to see a comic book film stay under 2 hours, though it was quite apparent that the F4 editors had no idea how to keep the pace and plotline efficient within that timeframe. In the end, Fantastic Four is not strong enough to stand on its own few merits, nor is it able to push a disappointing franchise forward.

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