Crowds of people wait for her: Skye Edwards of Morcheeba
Any sort of band that plays music that can be even remotely described as “downtempo” has, in some eyes, a serious disadvantage when it comes to their live performance. The energy and excitement and wildness that comes from a live gig is toned down, and re-formed into the fluid, organic compositions that make up the worlds of dub, trip-hop, and ambient performance. Often, an audience with great patience and love of such swell in a melody becomes the ultimate factor in a successful show, or act, that brings mostly slower, dreamier, and more wistful compositions to the live world of music. Tonight’s crowd at the Fillmore Auditorium in San Francisco fit this bill perfectly, so to speak, so it was little surprise when Skye Edwards and the other Londoners of Morcheeba proclaimed the intimate venue to be one of their favorite places in the world to play. [read the whole post]
It’s truly a pity that James Murphy, the man behind LCD Soundsystem and the legendary DFA record label, which has released all of the band’s material including their 2002 hit breakthrough single, “Losing My Edge,” has decided to pull the plug on what is inarguably one of the coolest, most transcendent musical outfits to emerge in the past decade.
Just as Jerry Seinfeld and the cast bowed out at their peak after a nine-year run with the hit television show, Seinfeld, Murphy has decided to call it quits after the same amount of time when fan interest is at its most fervent, dedicated level. [read the whole post]
A rare moment without confetti
During OK Go’s show at The Fillmore in San Francisco on Wednesday night, lead singer Damian Kulash tried to explain why the band’s home is San Francisco. “Because we live on YouTube” was his explanation. Yeah, alright, whatever. But it’s clear what they meant was that the Bay Area is made to appreciate a label-leaving, DIY-video-making band of nerds like them. And this video thing is working out for them. One blog recently called them the “shtickiest band ever,” so what sort of shtick did they bring with them? [read the whole post]
I was one grumpy bitch last night. The minute I left the house I knew it was bad news. But my brother was in town from Davis, so I dragged him along with me. When we were kids, and as he’s my younger sibling, there’s a long history of me pulling him with me to all the random shows I wanted to see growing up in the city. He even said the last time he thinks he went to a show was in 1999, and it was with me to some random whatever. I guess I have to drag him, because he sure won’t go on his own. [read the whole post]
Elly Jackson doing the British ginger strut at The Fillmore last night.
La Roux performed their third San Francisco concert in less than a year last night at The Fillmore, and it was a roof-shaking culmination of everything that’s been hinted at by their smaller-scale previous appearances.
[read the whole post]
Adam Young of Owl City
In July of 2009, I saw Owl City’s San Francisco debut in a tiny club at 330 Ritch, the home of Popscene, the city’s center stage for brand new acts. Adam Young, the main brain behind Owl City, and Matthew Decker, who added live drums to the wall of synthesizer sound, performed seven songs for a crowd of less than 200 people. Now, see the speed at which fame moves you: less than nine months after that show, Adam and Matthew — along with a new plethora of performers — have returned to San Francisco for two — two! — sold-out performances. I think I should also point out the fact that both shows were completely sold out MONTHS ago — not an hour or to before the show, as was the case for their Popscene debut. Needless to say, I was bewildered — but excited — when I found myself returning to the Fillmore for the first of these two concerts. [read the whole post]
