Tag: Tessa Thompson

Film Feature: SFFILM 2018 Festival Spotlights #4

Wrap up: 2018 San Francisco International Film Festival 

The 61st San Francisco International Film Festival ended last Tuesday, but many of its offerings will find their way to your neighborhood cinema in the near future. We conclude our coverage of this year’s Fest by taking a look at four of the Fest’s films that you may want to keep your eye out for in the coming months (our previous coverage posts can be found here, here, and here). And if you’re curious to see which Fest films took home awards this year, you can see all the winners here. In the meantime, we’ll see you next year for SFFILM #62! 

1.) Sorry to Bother You  (USA 2018, 107 min. Centerpiece)

Detroit (Tessa Thompson) and Cassius (Lakeith Stanfield) join with striking workers at their telemarketing firm in Oakland.

Oakland rapper and artist Boots Riley got the hometown reception from the Festival this year, as his debut feature film was given a first-of-its kind, dual-venue Bay Area premiere at two of the Bay Area’s most iconic and beloved theaters: Oakland’s Grand Lake Theater and San Francisco’s Castro Theater. The movie had previously premiered at Sundance, where it garnered a Grand Jury prize nomination, but its Bay Area premiere definitely felt more special. Riley’s film centers on Cassius (Lakeith Stanfield, Get Out), a new employee at a telemarketing company in downtown Oakland (exteriors were shot around Kaiser’s Franklin Street building) whose rise up the corporate ladder doesn’t come without cost, to himself, his girlfriend (Tessa Thompson), and his friends, colleagues, and community. While inarguably entertaining, Riley’s film has a definite first attempt feel: elements of political satire, social criticism, surrealist comedy, outrageous sci-fi, and sweet romance often overlap to an extreme, coming dangerously close to burying the picture beneath its own everything-but-the kitchen-sink weight. Comedically deft performances from Stanfield and Armie Hammer, as a villainous corporate head, though, are appealing enough to make the flaws of Riley’s jam-packed screenplay forgivable.

Sorry to Bother You will open in the Bay Area on Friday, July 6th.

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Film Review: Creed

Rocky franchise not yet down for the count: Coogler’s newest entry invigorates series

Rocky Balboa (Sylvester Stallone, l.) gives some pointers to his old friend Apollo Creed’s son, novice boxer Donny (Michael B. Jordan, r.).

Ryan Coogler, who grew up in Oakland and Richmond, was an unknown filmmaker with just a few shorts under his belt when he became the toast of Sundance in 2013, winning both the Grand Jury Prize and Audience Award for his very first feature, the Bay Area-centered Fruitvale Station. The film went on to garner 52 award nominations and 38 wins, and now, just two short years later, Coogler is at the helm of the seventh movie in one of the most renowned, revered film franchises in cinema history: Rocky. Fortunately, Coogler proves his Sundance success was no fluke, as his second feature and the newest Rocky film, Creed, maintains the spirit of its predecessors while bringing fresh energy and depth to the storied series.

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