Earl Greyhound’s previous album, Soft Targets, blasted out of the box with “S.O.S.,” a dynamic mission statement that attempted to explain, in five minutes, what Earl Greyhound was all about. While the album didn’t live up to the high standards set by this blistering track, descending into middling bluesy rock numbers by the end, the promise of that one song alone has kept me interested in the band, and earned them all sorts of lauds as the “next big thing.” Now, the band’s new album, Suspicious Package, has arrived, and it also starts with I assumed to be a clear mission statement. What’s the mission this time? Continue reading “Album Review: Earl Greyhound — Suspicious Package”