How Did I Get Here? with Dulce Sloan

We are trying something new with this episode. I am NOT doing any preroll. No theme song. No “warm open.” Let me know what you think.

Dulce Sloan is best known for being a correspondent on The Daily Show and often killing it in that role. We chatted about her move from theater to stand-up, the folks that inspired you along the way, and, of course, The Daily Show and her upcoming book, Hello Friends! Stories Of Dating, Destiny, and Day Jobs coming your way on February 6th (Preorder Here!)

Sloan is in SF this weekend to play a slew of SF Sketchfest events, including a headline set at Brava Theater on Saturday, January 20th at 9:30 pm. Her full schedule can be found here. If you choose not to leave home, she’s also starring in The Great North, which can be seen on Hulu as well as Sunday Nights on Fox! 

Spinning Platters presents “How Did I Get Here?” Season 2, Episode 4 with stand-up comic Liz Miele, author of “Why Cats Are Assholes”

Spinning Platters presents “How Did I Get Here?” is available almost everywhere you enjoy podcasts. You can find us and subscribe here!
 
In this edition of “How Did I Get Here?”, I got to talk with stand-up comedy prodigy Liz Miele about her career, including getting started at 16 and continuing to nurture that career into adulthood. We discussed her first book, Why Cats Are Assholes, which of course, digressed into talking about cat behavior. I even asked some specific questions about my own cat. We also talked about what it’s like touring during a pandemic, and we had a TON of fun. For quick reference- Pasta is Liz’s cat, Zoey and Ike are my cats.
 
We also talked a lot about influences, so Liz made me a list of important bits for her development as a comedian, giving you a companion playlist! We also talked about Miele’s cat photoshoots, and you can find those on her Instagram! She also has a fantastic YouTube page where you can dig deep into her stand-up history. And she also has a podcast with Maria Shehata called 2 Non Doctors for your continued listening pleasure.


Sketchfest Review: Iron Comic with Moshe Kasher & Nato Green at Cobb’s Comedy Club, 1/26/19

(Not pictured: Moshe Kasher and featured comics.)

Every year, I make a point to catch Greg Behrendt at least once while he’s in town for Sketchfest. This year, I thought the show Iron Comic sounded like fun. The premise is based on Iron Chef: five stand-up comics have about 8 minutes wherein each puts together a two-minute “set” based on topics chosen on the fly from audience suggestions, and after three rounds, judges narrow down the five to a final two who go head-to-head. Finally, a winner is chosen by audience applause. This all took place this past Saturday night at Cobb’s Comedy Club, and I think it’s safe to say a good time was had by all. Continue reading “Sketchfest Review: Iron Comic with Moshe Kasher & Nato Green at Cobb’s Comedy Club, 1/26/19”

SF Sketchfest Review: Crabapples with Bobcat Goldthwait and Caitlin Gill at Brava Theater, 1/13/2017

Our Crabapples: Bobcat Goldthwait and Caitlin Gill

It was a happy Friday the 13th to start this year’s epic SF Sketchfest Journey. Full of delicious burrito and needing some relief from a long day at work I was excited to get the funny started. On top of that all proceeds for this show are being donated to Planned Parenthood so it felt good to be in the company of people trying to help this messed up world. Bring on the Crabapples! Continue reading “SF Sketchfest Review: Crabapples with Bobcat Goldthwait and Caitlin Gill at Brava Theater, 1/13/2017”

SF Sketchfest Review: Smug Shift on 1/24/2014

Photo by Mindy Tucker
Photo by Mindy Tucker

Another year, another Sketchfest, another installment of Smug Shift. It seems just yesterday I was ream-deep into my first SF Sketchfest, jotting notes with a juvenile sincerity dormant since the beginning of middle school (where it all went wrong). Over the overworked, overwrought ordeal, only one show reached personal perfection: Smug Shift, a concoction of former Bay Area-based boons Moshe Kasher and Brent Weinbach. Last night at the Verdi Club, the show stretched its wings and lifted its head skyward with rekindled opulence: a weird, phallic phoenix. Continue reading “SF Sketchfest Review: Smug Shift on 1/24/2014”

Sketchfest Review: Will Franken/Drennon Davis (2/4/2012)

by Jakub Mosur/Leslie Winchester

San Francisco has a cloudy yet storied history of nurturing eclectic, eccentric geniuses. The tradition spans from Irwin Corey to Ron Lynch to Brent Weinbach and every sideways side-splitter in between. Many are unsung, underexposed and uncompromised: the inspiration for peers with wider appeal and fans with sharp hearts and heads. Festivals, artistic hodepodge, are optimal for such comedians, an extended focus for latest convolutions and tinkerings in front of fertile or familiar audiences. Will Franken and Drennon Davis, two locally brewed humorists of the aforementioned ilk, evoked the spirit of a sentient armchair: alarmingly absurd, wonderfully witty, warm and comfortable. Continue reading “Sketchfest Review: Will Franken/Drennon Davis (2/4/2012)”