Reviews of albums, concerts, and more from the Bay Area Music Nerds
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On Thursday night, Slim’s hosted a dynamic range of Bay Area music. Opening with R&B, eased into alternative rock, Pop with soul, then jumped into Hip Hop and ended with fans twirling to Electric Trance. Contrary to logic, the various of styles had a smooth transition from one band’s music flavor to another, which was appreciated by a tight crowd as loyal as family. [read the whole post]
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Neil Finn, hundreds of amazing songs into his career.
Crowded House is a band with only two real American “hits.” But don’t be fooled by that. If you go see Crowded House live, you’d better be ready to sing. And although your less astute friends will assume the loudest singing will be for “Don’t Dream It’s Over,” the band’s biggest U.S. hit, those same friends will wonder what the heck this “You always take the weather with you” song is about. Congratulations, singer! You’re the smart one. [read the whole post]
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This is They Might Be Giants with confetti, but not all that much, really. See inside for details.
If I had to give a title to this review, apart from the boring, SEO-friendly titles we always use here, it would be “They Might Be Giants vs. The Napa Uptown Theatre.” I think that the band started the show really loving the beautifully restored theater, but by the end of the performance, I feel like there may have been some antagonism between the two. Was this an actual fight? Or merely a love-fest in disguise? It was a bit hard to tell. [read the whole post]
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No photos allowed, and it was really dark anyway, so I instead bring you a picture of Michael Pare from Streets of Fire. That's what Brandon looked like.
Not only did Brandon Flowers look like Michael Pare from music-nerd-must-see Streets of Fire (not the leather jacket look but the suspenders look), but the music was reminiscent of that film as well. All tales of rock n’ roll bleeding hearts and people down on their luck, but with occasional rousing singalong moments, the new material from Brandon Flowers is close enough to The Killers’ own tunes to make me wonder why the solo album was necessary. He’s always been the center of attention of that band, so that can’t be the motivation. So it must have been musical in nature. I just didn’t hear enough to know what makes this difference. Perhaps if he had played longer. [read the whole post]
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Jonathan Richman in print and Jonathan Richman in real life.
Words by Mielle Sullivan. Photography and videos by Christopher Rogers.
I’ve been to a lot of Jonathan Richman shows. I see him almost every time I get the chance. I see him yearly at The Great American Music Hall; I’ve seen him at several residencies at The Make-Out Room; and just last month, I saw him at the Swedish American Hall.
So, I was delighted to hear that he was going to be appearing, a few blocks from where I live in The Mission.
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Steven Wilson of Porcupine Tree
When a massive act plans a statewide, or possibly worldwide, tour, one of the factors involved is selecting opening bands for the tour. More often than not, the presence of a more famous and popular headliner will usually be a signal that larger, more well-known opening acts will come along for the ride. In the case of Porcupine Tree, however, their opening slot on Coheed And Cambria’s colossal new tour comes with the hope that at least a good chunk of the audience will be part of the dedicated following that they have carved out themselves within the states. As a nod to those fans, Porcupine Tree kicked off the tour with a special headlining show for one of their favorite cities (as claimed by frontman Steven Wilson on a few occasions): San Francisco, California.
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