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set list

Neil Finn, hundreds of amazing songs into his career.

Crowded House is a band with only two real American “hits.” But don’t be fooled by that. If you go see Crowded House live, you’d better be ready to sing. And although your less astute friends will assume the loudest singing will be for “Don’t Dream It’s Over,” the band’s biggest U.S. hit, those same friends will wonder what the heck this “You always take the weather with you” song is about. Congratulations, singer! You’re the smart one. [read the whole post]

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This is They Might Be Giants with confetti, but not all that much, really. See inside for details.

If I had to give a title to this review, apart from the boring, SEO-friendly titles we always use here, it would be “They Might Be Giants vs. The Napa Uptown Theatre.” I think that the band started the show really loving the beautifully restored theater, but by the end of the performance, I feel like there may have been some antagonism between the two. Was this an actual fight? Or merely a love-fest in disguise? It was a bit hard to tell. [read the whole post]

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No photos allowed, and it was really dark anyway, so I instead bring you a picture of Michael Pare from Streets of Fire. That's what Brandon looked like.

Not only did Brandon Flowers look like Michael Pare from music-nerd-must-see Streets of Fire (not the leather jacket look but the suspenders look), but the music was reminiscent of that film as well. All tales of rock n’ roll bleeding hearts and people down on their luck, but with occasional rousing singalong moments, the new material from Brandon Flowers is close enough to The Killers’ own tunes to make me wonder why the solo album was necessary. He’s always been the center of attention of that band, so that can’t be the motivation. So it must have been musical in nature. I just didn’t hear enough to know what makes this difference. Perhaps if he had played longer. [read the whole post]

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Steven Wilson of Porcupine Tree

Steven Wilson of Porcupine Tree

When a massive act plans a statewide, or possibly worldwide, tour, one of the factors involved is selecting opening bands for the tour. More often than not, the presence of a more famous and popular headliner will usually be a signal that larger, more well-known opening acts will come along for the ride. In the case of Porcupine Tree, however, their opening slot on Coheed And Cambria’s colossal new tour comes with the hope that at least a good chunk of the audience will be part of the dedicated following that they have carved out themselves within the states. As a nod to those fans, Porcupine Tree kicked off the tour with a special headlining show for one of their favorite cities (as claimed by frontman Steven Wilson on a few occasions): San Francisco, California.

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He's 62, still rocks hard, looks great, why retire, Rudolf? Why?

The Scorpions are too famous for their giant hit song, “Rock You Like a Hurricane,” and not well respected enough for their rest of their catalog. Filled with shiny gems of pop metal, the German legends have a huge list of hard-but-not-too-hard rock songs to choose from as they continue touring for the last time. They’ve said the tour will run through 2012 or 2013, so whether this is their last stop in the Bay Area or not is still a question. If it’s not, though, you’ll see me in the audience for the next one. These guys still have their stingers. [read the whole post]

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Crowds of people wait for her: Skye Edwards of Morcheeba

Crowds of people wait for her: Skye Edwards of Morcheeba

Any sort of band that plays music that can be even remotely described as “downtempo” has, in some eyes, a serious disadvantage when it comes to their live performance. The energy and excitement and wildness that comes from a live gig is toned down, and re-formed into the fluid, organic compositions that make up the worlds of dub, trip-hop, and ambient performance. Often, an audience with great patience and love of such swell in a melody becomes the ultimate factor in a successful show, or act, that brings mostly slower, dreamier, and more wistful compositions to the  live world of music. Tonight’s crowd at the Fillmore Auditorium in San Francisco fit this bill perfectly, so to speak, so it was little surprise when Skye Edwards and the other Londoners of Morcheeba proclaimed the intimate venue to be one of their favorite places in the world to play. [read the whole post]

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Show Review: The Gaslight Anthem with New Politics Play at San Jose’s Music in the Park, 7/22/10

July 24, 2010

I was first exposed to The Gaslight Anthem via a concert at San Jose State with the Alkaline Trio, Rise Against, and Thrice about a year ago. They were the openers and I almost chose taking a trip to the merch booth over listening to their set. Luckily, I didn’t take that trip and now [...]

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Show Review: Barenaked Ladies at Wente Vineyards, 7/20/10

July 21, 2010

The Barenaked Ladies are playing just about everywhere they can in the Bay Area this week. On Monday night, they were at the Mountain Winery and tonight they play at The Regency Center (with discount tickets available on Goldstar), but last night they were at the Wente Vineyards in Livermore. With a ticket price hovering [...]

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Show Review: An Evening with Primus at the Great American Music Hall, 7/18/2010

July 19, 2010

In today’s concerting world, most shows are focused more firmly on spectacle than on musicianship. We expect the bands to be at the top of their game, of course, but in case they aren’t, we’ve got pretty lights, soaring lasers, mystifying fog, and, sometimes, hurricanes of confetti to wow us and give us something to [...]

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Show Review: Wakey!Wakey! with Wave Array and Doom Bird at Hotel Utah, 7/14/2010

July 15, 2010

My favorite Billboard chat was always the Heatseekers Chart. Defined generally as the best selling new artists, it was always the place to go if you wanted to hear someone before everyone else heard them. Blogs such as this one have pretty much destroyed the value of this chart, as now to hear someone first, [...]

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