I’m Having Fun Now, the “debut” album by Jenny and Johnny (Jenny Lewis and Johnathan Rice), is being marketed as the first collaboration between indie lovebirds Lewis and Rice. This isn’t strictly the case, though; Lewis and Rice have been all over each other’s material (what the kids are calling it these days) for the last five years. Rice has been playing in Lewis’ touring band since 2006, and had a very strong presence on her underrated 2008 LP, Acid Tongue. In turn, Lewis co-wrote and sang on several tracks from Rice’s 2007 album, Further North. But now these kids have made it official and released a full-length duets album. Last night, they played the first of two nights at Great American Music Hall. How did it go?
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On Thursday night, Slim’s hosted a dynamic range of Bay Area music. Opening with R&B, eased into alternative rock, Pop with soul, then jumped into Hip Hop and ended with fans twirling to Electric Trance. Contrary to logic, the various of styles had a smooth transition from one band’s music flavor to another, which was appreciated by a tight crowd as loyal as family. [read the whole post]
Neil Finn, hundreds of amazing songs into his career.
Crowded House is a band with only two real American “hits.” But don’t be fooled by that. If you go see Crowded House live, you’d better be ready to sing. And although your less astute friends will assume the loudest singing will be for “Don’t Dream It’s Over,” the band’s biggest U.S. hit, those same friends will wonder what the heck this “You always take the weather with you” song is about. Congratulations, singer! You’re the smart one. [read the whole post]
It's your last chance to see and hear From Monument to Masses. Don't miss out!
I’m feeling very old this week, as two of my favorite Bay Area bands will be playing break-up shows in two nights. The first is my old band Audrye Sessions who will be saying goodbye on Friday, August 27th at The New Parish in Oakland. The second is From Monument to Masses who are playing final show at Great American Music Hall on Saturday, August 28th. Since Judgement Day is opening up the Great American show, I thought it might nice for me to share some of my thoughts on the night’s headliners. [read the whole post]
No photos allowed, and it was really dark anyway, so I instead bring you a picture of Michael Pare from Streets of Fire. That's what Brandon looked like.
Not only did Brandon Flowers look like Michael Pare from music-nerd-must-see Streets of Fire (not the leather jacket look but the suspenders look), but the music was reminiscent of that film as well. All tales of rock n’ roll bleeding hearts and people down on their luck, but with occasional rousing singalong moments, the new material from Brandon Flowers is close enough to The Killers’ own tunes to make me wonder why the solo album was necessary. He’s always been the center of attention of that band, so that can’t be the motivation. So it must have been musical in nature. I just didn’t hear enough to know what makes this difference. Perhaps if he had played longer. [read the whole post]
