Peter Gabriel’s new covers album Scratch My Back is the beginning of a “song exchange” project. This means that every artist covered on this album is being asked to cover one of Peter Gabriel’s songs in exchange. This collection will then be released under the title …And I’ll Scratch Yours. That’s the intention. Whether or not the second part ends up happening seems to be up in the air so far, but Stephin Merrit has already recorded “Not One of Us” as a b-side to Peter Gabriel’s Magnetic Fields cover,”Book of Love,” so the project has begun. [read the whole post]
This is how you would have had to search for music in 1997. It's easier now.
Have no clue what to do? Has a large green creature come and snagged all the good presents away? Don’t fret because the Spinning Platters elves have present ideas to fill up Santa’s sleigh…
It seems it’s that time of the year when the days in number
seem to fall off the calendar into slumber.
And there is only one thing you could possibly find,
that wouldn’t be on kind people’s minds.
It’s better than socks. It’s better than butter. It’s better than delightful hot cocoa with a candy marshmallow ring.
It rocks so hardly in summer,
maybe even some with a mutter,
and it’s let you go along, allowing you to dance and sing.
It’s pure but complicated, not dirty or replicated.
It’s as tasty as fresh warm bread
even those that are of leaven,
it’s just what you always thought it was, it’s the music of 1997!
Here are the Top 15 most important reasons…or in some cases, non reasons, to buy your loved one, or enemy for that matter (the holidays don’t discriminate) an awesome gift from 1997! [read the whole post]
I had a lot of albums to choose from.
There’s this fun little website called The Top 13 Albums Project. For the last two years, they’ve invited anyone who’s interested to enter their top 13 albums for the year into the database. They then compile all of these lists into one master top 13 list for the year. Why 13? I have no idea. All I know is it tends to be a pretty good look at what the blogs are loving that year. Fleet Foxes and The Boxer by The National were the top albums in the last two years. Now, they’re doing a Top 13 of the decade, and in order to participate, you need to submit your list by October 2nd. Of course I’m participating. Follow me now as I run through my personal list. [read the whole post]
Because I could never go home empty handed, I ended up with this
For most of my life as a music nerd, Tuesdays were always my favorite day of the week. On Tuesdays, I’d stop at Strawberries Records in West Springfield, MA and shop the new release rack. I wouldn’t let myself leave without buying at least one thing. This is how I ended up with The Bends, as I had liked “Creep” but not Pablo Honey, but there really wasn’t anything else interesting out that week. As time has passed, Tuesdays have become less and less important, because now the release date for an album is somewhat random: when it shows up online, it’s released. Yet for some reason, the record labels are clinging to these release dates. And in many cases, they still release albums on different dates in different countries. This, for obvious file-sharing reasons, is beyond lunacy. This post is a plea for record labels to end the archaic practice of release dates. Not to help me–I’m well served by the Internet–but to help themselves.
The company I work for in my everyday life has a saying: “We make it easy for our Customers to buy from us.” When will the record labels adopt this attitude?
[read the whole post]
Record Labels, Please Change Your Archaic Release Date Practices
by Gordon Elgart on August 3, 2009
Because I could never go home empty handed, I ended up with this
For most of my life as a music nerd, Tuesdays were always my favorite day of the week. On Tuesdays, I’d stop at Strawberries Records in West Springfield, MA and shop the new release rack. I wouldn’t let myself leave without buying at least one thing. This is how I ended up with The Bends, as I had liked “Creep” but not Pablo Honey, but there really wasn’t anything else interesting out that week. As time has passed, Tuesdays have become less and less important, because now the release date for an album is somewhat random: when it shows up online, it’s released. Yet for some reason, the record labels are clinging to these release dates. And in many cases, they still release albums on different dates in different countries. This, for obvious file-sharing reasons, is beyond lunacy. This post is a plea for record labels to end the archaic practice of release dates. Not to help me–I’m well served by the Internet–but to help themselves.
The company I work for in my everyday life has a saying: “We make it easy for our Customers to buy from us.” When will the record labels adopt this attitude?
[read the whole post]
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