Film Feature: Chris Piper’s Top 10 Films of 2021

Chris Piper's Top 10 films of 2021
Chris Piper’s Top 10 films of 2021

Films make a big comeback in 2021

2021 in American cinema was remarkable in how it seemed so… normal. Whatever the numbers say, my feeling was that the year started a little slowly, then found its footing around March, then kicked into something like a normal gear over the summer. As fall approached, and it seemed to me more theaters reopened, a slate of films pretty much like those in 2019 awaited. Winter seemed to bring somewhat larger than normal crop of smaller-budget films, and here we are, at the end of the year with a number of solid films released, awards season in full swing, and waiting for Oscar noms in just over a month.

So here are my top 10 films of 2021. See these 10 films in any order you want, preferably in the theater, but on your couch if you must. Here’s hoping for more of more of the same in 2022. Continue reading “Film Feature: Chris Piper’s Top 10 Films of 2021”

Film Review: “The Summer of Soul”

The revolution is finally televised

Gladys Knight and the Pips at the Harlem Cultural Festival
Gladys Knight and the Pips at the Harlem Cultural Festival

The scene: Thousands of music lovers packed around a stage. Guitars, drums, keys, horns, harmonicas all playing together, and together getting heads to bob and bodies to sway. It’s the summer of ‘69, and this isn’t Woodstock. Continue reading “Film Review: “The Summer of Soul””

Film Review: Popstar: Never Stop Never Stopping

Raps and riffs its way to gold, but far from platinum.

Conner is 4 real.
Conner is 4 real.

10+ years ago, “Lazy Sunday” took the internet by storm and injected the Berkeley-based comedy musical trio, The Lonely Island, into the mainstream. Since then, they’ve been responsible for countless popular SNL Digital Shorts and a handful of award-winning comedy albums. Now, their first feature-length film, Popstar: Never Stop Never Stopping, hits theaters and brings along their superb blend of awesomely crude but catchy pop music, satirical humor, and over-the-top random ridiculousness. Popstar is great at poking fun at the pop music industry, and delivers some really raunchy humor and fantastically clever music, yet fails more often than not to produce worthy punchlines or climaxes to major scenes.

Continue reading “Film Review: Popstar: Never Stop Never Stopping

Spinning Platters Weekly Guide to Bay Area Concerts, 4/21/11 – 4/27/11

Opening For Jamaica.

I hope that you all have recovered from Coachella weekend, or whatever else you did last weekend. I’m sure you went to plenty of shows… But you aren’t sick of them, are you? Good.

Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 4/21/11 – 4/27/11”

Album Review: The Roots – how i got over

The Roots have had an unheard of career trajectory for the hip-hop world. They quietly came onto the scene in 1993 with an organic form of hip hop that was created entirely with live instruments, and were often thrown in with the jazz/rap fusion acts like A Tribe Called Quest and Digable Planets. Although they didn’t reach the same level of success as those two acts, they were definitely one of the most determined acts in hip hop, touring non-stop, which is rare in hip-hop, and eventually became one of the most revered live acts in the country. They managed to build a following the old fashioned way, and have managed to become a little more successful with every passing year.

Fast forward to 2010, and The Roots are practically a household name, with several hit singles under their belt at this point as well as an extremely high profile gig as the house band in Late Night with Jimmy Fallon. Their latest record, how i got over, might be the record to finish that process off, and become that household name.

Continue reading “Album Review: The Roots — how i got over”