Oona Laurence

Coppola returns to form with seductive Southern gothic drama 

Union soldier John (Colin Farrell) and Edwina (Kirsten Dunst) find a moment alone. 

In its 70-year history, the Cannes Film Festival has only awarded its Best Director prize to a female director twice; the first was in 1961 (to Soviet filmmaker Yuliya Solntseva for Chronicle of Flaming Years, a tale of Nazi resistance in the Soviet Union), and the second was this May, to writer/director Sofia Coppola for The Beguiled. While the Festival sadly took some 50 years before bestowing this honor on another woman, this year’s award hopefully signals a real shift toward providing opportunities for, and recognizing the accomplishments of, women in film. That said, the concern of this review, of course, is the film itself: are Coppola and her new film worthy of the prize? The answer, thankfully, is a resounding yes.
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Film Review: Bad Moms

by Carrie Kahn on July 29, 2016

The moms may be Bad, but their film has its moments

Exhausted and overextended moms Amy (Mila Kunis, l.), Kiki (Kristen Bell), and Carla (Kathryn Hahn) decide to cut loose.

A few weeks ago, we learned that Mike and Dave need wedding dates, and now today, in Bad Moms, we find that some stressed out moms need to cut loose. In the summer’s second booze-soaked, raunchy-but-sweet comedy to open this month, Josh Lucas and Scott Moore, the co-writers of the Hangover trilogy, also pick up the director’s reins to bring us this similarly over-the-top, often very funny film that has a lot of predictable heart under its R-rated laughs.
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