Album Review: Crystal Fairy: Crystal Fairy

The garage-doom record you always wanted, but were too afraid to ask for

Album cover for Crystal Fairy's self-titled debut
Album cover for Crystal Fairy’s self-titled debut

If 2015 and 2016 were any indication, 2017 has certainly shows that supergroups are coming back to the forefront in a big way. While this is nothing new in the music scene, it has become more apparent, recently, that supergroups pose a necessity for most musicians, to escape redundancy and to experiment with new sounds. In the early 2000s, many big collaborative albums were produced, but were always under the guise of guest vocalist and musicians. It left a manufactured tone about the record, one that felt as though the labels were just trying to squeeze dime after dime out of shifting paradigms in musical taste. A true supergroup combines all the best attributes and skills of the players to create something fresh and exciting, for fans and musicians alike. It doesn’t always work, of course; Giraffe Tongue Orchestra is an excellent example of an extremely talented group of musicians whose full length album left far too much to be desired. The Dead Weather, on the other hand (featuring Jack White, Allison Mossheart [The Kills], Dan Fertita [Queens of the Stone Age], and Jack Lawrence [City and Colour, The Raconteurs]) have made a number of albums that continue to grab people in one direction or another. So when it was announced that King Buzzo and Dale Crover (Melvins), Teri Gender Bender (Le Butcherettes), and Omar Rodríguez-López (Mars Volta, At The Drive-In) were joining forces to create Crystal Fairy, the prospect was definitely a positive attention grabber.

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Show Review: Antemasque and Les Butcherettes at Great American Music Hall, 8/12/14

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All photos by Jonathan Pirro

There was a point in my life where The Mars Volta were, in my opinion, the most interesting thing in rock. Those first three full length records, De-Loused In The Comatorium, Frances The Mute, and Amputechture were all in heavy rotation while I moved from my early to mid 20’s. These records were the perfect balance of heavy and creative. Insane records filled with intensity that drew from influences as wide ranging as Fania All Stars, Pink Floyd, Fugazi, and Stockhausen. Delicious albums that I listened to almost daily. Before long, however, it felt like the band kept losing the plot. The records seemed stale, and the live shows also seemed to like some of the “Oomph!” of their earlier sets. When they decided to close up that chapter, it made sense to me. Both Omar Rodriguez-Lopez and Cedric Bixler-Zavala found themselves exploring music apart from each other, and made for some awfully compelling records.

The year that they parted ways was 2012. Now, a mere two years later, Cedric & Omar quietly started putting out new material on the web. Under the name “Antemasque.” These were some great, concise tracks. So, the moment they announced a tour, I decided it was worth my while to see if they’ve really re-inspired themselves.

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Spinning Platters Weekly Guide to Bay Area Concerts, 9/9/2010-9/15/2010

Opening for Helmet.

Here’s another fun week of fun stuff to fill with funness. Happy funny funtimes!!

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