Spinning Platters Interview: Ronnie Carrier, “Lost In The Eclectic”

A chat with the singer/songwriter the week of her debut album release!

If you were a frequent client of Green Apple Books in the Inner Richmond, and especially if you attended their live music series, then perhaps you’re already familiar with singer/songwriter Ronnie Carrier. Though she moved to Portland last year, her guitar twangin’, foot stompin’ music, filled with literary depths, can now flood your home/phone/computer speakers via her full-length album debut, Lost In The Eclectic, which comes out Friday, April 7th (with an upcoming SF show on 4/14). I had the fantastic opportunity to ask her a few questions after listening to the new album:

First of all, it’s so great to see (and hear) your first full length album, “Lost In The Eclectic”, come to fruition. How do you feel now that it’s completed?

Thank you! The first word that comes to mind is “relieved”, but also there’s a side of nervous excitement. I’m very proud of this album – now that I’m presenting it, I get to find out how the story translates to the people who listen to my music. I’m excited to hear what listeners get out of this, and I hope it is something worthwhile.

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Spinning Platters Interview: Sarah Hicks, Ratatouille Feature Film with Live Orchestra

 

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This upcoming weekend, July 16-17, the San Francisco Symphony will screen Pixar’s Oscar-winning film, Ratatouille, with the score performed live. Conducting the orchestra will be none other than the amazingly accomplished SF Symphony regular, Sarah Hicks. Sarah was gracious enough to answer some questions about her own musical tastes, as well as her special love of Pixar films…

Spinning Platters: My excitement for the Ratatouille show is growing, since it’s my favorite Pixar film. A popular dinner party question is ‘what’s your favorite Pixar film?’ So, do you have a favorite Pixar film?

Sarah Hicks: Oh, I can’t really choose because I love them all!  That being said, I have to admit that the ones I keep going back to are Monsters, Inc., Up and Ratatouille.

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Spinning Platters Interview: Justin Freer, Founder and President of CineConcerts

On July 14-15, the San Francisco Symphony will celebrate 50 years of Star Trek with Star Trek: The Ultimate Voyagefeaturing iconic film and TV footage beamed on to a huge screen while the symphony performs the musical scores, live! CineConcerts, the producer of this live music experience, was founded by composer/conductor Justin Freer. Freer will be conducting the SF Symphony’s two performances.

Freer graciously took a short break from a studio session to speak to us about his musical career, CineConcerts, and of course, Star Trek…

Justin Freer: Let’s do this. What do you want to talk about?

Spinning Platters: Let’s talk about film music!

Justin Freer: <<laughs>>

SP: How did you first get into film music? I read that you grew up learning trumpet and later music composition, but when did film music start to interest you?

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BottleRock Napa Valley 2016 Festival Journal, Day 3

Need a break from the amazing wine? No problem: grab a cocktail instead! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
Need a break from the amazing wine? No problem: grab a cocktail instead! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

You’re reading Day 3. Have you checked out Day 1 and Day 2 as well?

Tye Trujillo follows in dad Robert's (of Metallica) footsteps. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
Tye Trujillo follows in dad Robert’s (of Metallica) footsteps. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

I don’t know why, but Day 3 always seems to be the day all my friends attend BottleRock. This year was no exception. Two friends came up from the South Bay, not wanting to miss a moment. While I waited for my bestie and her boyfriend to arrive, I heard the festival begin through my bedroom window. Before we left the house, I realized that the band on the main stage (the one I can hear) was killing a cover of Nirvana’s “Smells Like Teen Spirit,” so I texted one of my friends to find out who they were. She didn’t know, except to say that they were kids, and they were crushing it. I made a mental note to find out who they were and check them out. It turned out they were The Helmets, a band that includes Metallica bassist Robert Trujillo’s son Tye and three other kids, all currently aged 12 or under. I’m disappointed to have missed them, because from what I heard (literally from afar, as well as from those who were already present), they are an excellent band, kids or not! Continue reading “BottleRock Napa Valley 2016 Festival Journal, Day 3”

BottleRock Napa Valley 2016 Festival Journal, Day 2

BottleRock Napa Valley 2016: a not-to-be-missed love-fest! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
BottleRock Napa Valley 2016: a not-to-be-missed love-fest! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

You’re reading this year’s Day 2. Don’t forget to check out Day 1 too!

Wine isn't the only thing we enjoy drinking here! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
Wine isn’t the only thing we enjoy drinking here! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

Day 2 got a bit of a late start, but once inside, I wasted no time at all stopping by Lagunitas for a cold Aunt Sally, which is easily my favorite beer they make, since it’s the least hop-driven! I went directly to the JaM Cellars stage to catch Walk the Moon who were due to begin momentarily. I admit, I only know the band from a friend who loves them and their gigantic smash “Shut Up and Dance” that’s so popular even my two-year-old niece asks for it by name. As I expected, they put on a fun, energetic set, particularly with “Different Colors” (which frontman Nicholas Petricca said was about the “beauty of being different), “Tiger Teeth,” “I Can Lift a Car,” and past single “Anna Sun.” As many had taken to doing over the festival, Petricca reminded the crowd to take time to vote: “Figure it out, and then go vote. Go fucking vote! It’s up to us to figure out the future!” He went on to say that the performance marked the very last one of the band’s tour in support of their Talking is Hard record. As expected, “Shut Up and Dance” was a fun, wild ride with the entire crowd dancing and singing along. Continue reading “BottleRock Napa Valley 2016 Festival Journal, Day 2”

BottleRock Napa Valley 2016 Festival Journal, Day 1

The first taste of summer: BottleRock Napa Valley, the 2016 edition. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)
The first taste of summer: BottleRock Napa Valley, the 2016 edition. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

Before I get into all the details of the gloriousness that was this year’s BottleRock Napa Valley, please allow me a moment, not just to digress but to explain why this festival is so important to me. I was born in Napa. As many Napa kids do, I moved away in my early 20s seeking something more exciting (hard to imagine now, but at the time Napa was still a relatively small town without a lot to do). I had some oats to sow, and was gone for 5-6 years, but returned about a decade ago to go back to school. Since then, I often say that “this town and I grew up together,” as we’ve both evolved into something more worth enjoying. While once I was a kid from a small town most had never heard of (and because of which I often claimed SF or the Bay Area to those unfamiliar), I have since become a “townie,” and that’s okay with me. This place is something special, and I can’t imagine ever leaving. True, it was once far quieter (and okay, far more dull), but these days it’s really something to behold, and has earned its reputation as a world-famous, world-class destination on bucket lists the world over. So, add to that a phenomenal music festival that showcases not just the mind-blowing wines and taste-bud-tantalizing food for which we’re known, but consistently impressive musical lineups that offer something for everyone, year after year? How could I not love BottleRock? I’m happy to say that I’ve been BottleRocking since the very beginning, and I can’t imagine what it might take to keep me away. As you can imagine, I’m already looking forward to next year’s festival!

Okay, onward…this year, BottleRock was scheduled to fall on Memorial Day weekend. While I personally heard the frustration of local business owners (for many of whom the beloved festival pulls away business all weekend long), I didn’t have any reason to lament spending a long, beautiful-weathered weekend wandering the Napa Valley Expo grounds last weekend more or less than any other.

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BottleRock Napa Valley 2015 Festival Journal, Day 3

I think Shakespeare might have been seeing into the future of BottleRock when he said “parting is such sweet sorrow.”  True story: on the last day of the inaugural festival in 2013, I remember thinking that I was like a kid at summer camp; I wanted to just keep coming back, but I knew that if I showed up the next day, all my friends would be gone and it would just be a big, sad mess that would leave me emotionally scarred.  Thankfully, though, after an amazing Day One and a lovely Day Two, I still had a whole final day to see, and this time, my bestie had come to join the fun. Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 3”

BottleRock Napa Valley 2015 Festival Journal, Day 2

After a smashingly successful day one, I couldn’t wait to see what BottleRock 2015 had in store for me on Day Two. I got a bit of a late start and arrived just in time for Scott Weiland and the Wildabouts.  This is one of the things I love most about the typical BRNV lineup: excellent blasts from the past, and you get a chance to see them in a whole new way.  (In BRNV years past I’ve been treated to Weezer, Heart, and the Spin Doctors, to name a few.)  I overheard someone saying that they thought the Wildabouts were “very STP,” and I can’t say I entirely agree.  Sure, it’s been quite a while since I heard much Stone Temple Pilots on the radio (much less even listened to the radio…), but I loved them, and so I remember enough.  Weiland and his Wildabouts were fun to watch, sounded great, and Weiland definitely still has the chops, but I think the biggest similarity between the two groups is simply Scott Weiland himself (and perhaps that both fall into the genre of rock).

Scott Weiland & the Wildabouts
Scott Weiland & the Wildabouts

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BottleRock Napa Valley 2015 Festival Journal, Day 1

Ahhhh, BottleRock. It’s hands-down my favorite time of year. What could be better than waking up to the sounds of fantastic headliners sound-checking from my open bedroom window? (This year, specifically, it happened twice: once with Imagine Dragons, and again with No Doubt. Not bad. Not bad at all.) Anyway, besides the excellent wake-up call, it’s all mild May weather in my gorgeous hometown of Napa, full of the best food, wine, and beer you can find with fantastic bands. I’ve never missed a day of this festival’s three years (and counting), and hope I never have to. Here’s what you missed this year: Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 1”

Spinning Platters Interview: Félix de Givry and Sven Hansen-Løve, ‘EDEN’

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During SFIFF58 a few months ago, I was able to catch Mia Hansen-Løve’s new musical drama, Eden. Despite not knowing much about French touch and the electronic music movement of the 90s in Paris, I lost myself in the euphoric and tragic journey of the film’s central DJ character. Eden is a movie that will etch its aura into your mind, and its 4 hr. soundtrack plays like a history of house music. I was fortunate enough to arrange an interview with writer Sven Hansen-Løve, on whose life the story is loosely based, and Félix de Givry, who plays Paul, the central character of the film. At The Social Study, I sat down with the two French gentlemen to discuss Eden:

Félix, how much did you know about French touch and the electronic music movement before signing onto this project?

Félix: I think I knew a little bit more than normal people know in France. Even more than Americans. But still I was not expert, especially of garage underground scene. I knew about French touch. ‘French touch’ the expression represents so much success that almost everybody knows about the people involved. The most interesting thing for me was to really dig into the scene and the beginning of the scene and the fact that there was so few people, say 200 or 300 people. It was kind of a black hole. It wasn’t documented by the big media at the time and there was not internet yet. Thanks to Sven, I learned a lot about it.

Sven: Yes, the fact that we had the chance to see each other many times. With my sister, too (the film’s director, Mia). It was a good thing for Félix because he could get direct documentation, in a way <<laughs>>.

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