Film Feature: Highs and Lows from the 2019 Sundance Film Festival

After almost two weeks of screenings that ran daily from 8:30 am to midnight, the Sundance Film Festival wrapped up last weekend with its awards presentation. All the winners can be found here, but below I present my personal highlights from my week exploring the Fest’s good, bad, and downright weird. Some of these may be widely released during the year, so I offer my advice on the films you should SEE or SKIP.

1.) Most Over the Top Rip Off of The Office that Feels Like it Was Written At 3:00 am After Smoking Way Too Many Joints: Corporate Animals (Category: Midnight)

Corporate Animals.

Not only does director Patrick Brice (who also directed the much better Sundance offering The Overnight) use a corporate retreat setting for his horror satire, replete with a who’s who of standard office types (Demi Moore as the hard driving boss; Jessica Williams as the dispirited protégée; and Callum Worthy as the eager to please intern, to name a few), but he even casts Office alum Ed Helms as a guide who leads the team on a caving expedition that goes awry, to put it mildly. Trapped deep in a collapsed New Mexico cave (the scenery at least holds its own), the cast is forced to deliver too many stereotypical jokes, especially at the expense of Moore, whose cutthroat boss is little more than a caricature. The group’s descent into cannibalism is played for laughs, but the film isn’t half as edgy as it thinks it is, and the entire exercise feels like writer Sam Bain somehow managed to get his snickering Office fan-fiction greenlit. — SKIP Continue reading “Film Feature: Highs and Lows from the 2019 Sundance Film Festival”

Film Review: Ocean’s 8

Old-fashioned fun is the real mark in latest Ocean’s film

Debbie Ocean (Sandra Bullock, l.)  assembles a crack team of eight (from l., Cate Blanchett, Mindy Kaling, Sarah Paulson, Awkwafina, Anne Hathaway, Rihanna, and Helena Bohman Carter) to plan a foolproof heist.

You don’t need to have seen the previous three Ocean’s movies (that would be 11, 12, and 13 for the uninitiated) to enjoy Ocean’s 8, the female-helmed companion film that opens today; it stands alone as a highly enjoyable, old-fashioned heist movie. But those who are loyal fans of the original series will be rewarded with a few nods to the previous films, as well as a couple of cameos that I won’t reveal here, but which will no doubt please the films’ devotees. Breezy and fun, writer/director Gary Ross’s entry into the Ocean’s universe retains the brisk confidence of the original pictures, while providing a welcome freshness by changing the stories’ traditional casting.

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Film Review: A Wrinkle in Time

Wrinkle for our Time: DuVernay’s adaptation worth the wait

Calvin (Levi Miller, l.), Charles Wallace (Deric McCabe), and Meg (Storm Reid) face danger and confusion on the erie planet Camazotz.

If you’re going to go see A Wrinkle in Time, director Ava DuVernay’s new Disney big budget adaptation of Madeleine L’Engle’s classic 1962 young adult novel — and I absolutely think you should — there is one thing you should keep in mind: this movie is not meant for you, dear adult Spinning Platters reader. This movie is for the tween and teen set, whose imaginations haven’t yet been curdled by cynicism, and who want — and need — to be swept away by the adventure and spectacle of a story that will reassure them that they are brave, smart, kind, and worthy of love and acceptance. That’s a powerful message, and DuVernay’s new film delivers it with exactly the kind of spirited fun and genuine emotion that kids love, but jaded adults may scorn. And that’s a shame.
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