Mark Ruffalo – Spinning Platters

Film Review: “Poor Things”

Poor Things dives headfirst into a strange, beautiful, and horny world

Greek director Yorgos Lanthimos has divided audiences as long as he’s been making movies. To help you resurface some opinionated rage and confusion, or delight, his films include Dogtooth, The Lobster, The Killing of a Sacred Deer, and The Favourite. His films bend surrealism together with absurdism, glittered with idiosyncratic dialogue and characters. They also don’t shy away from weirdness and sex, or weird sex, even. Lanthimos implores you to face brutal honesty and vulnerability, and Poor Things is no different. Cradled within a vibrantly designed world in which to explore themes of sexual freedom and liberation, Poor Things is a masterpiece of creative ambitions.

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Film Feature: Carrie’s Top 10 Films of 2019

Top 10 lists are notoriously subjective, of course; one fan’s “best” can easily be another’s “worst.” To be included on my Top 10 Films of the Year list, a film has to do two things: affect me profoundly while watching it, and stay in my thoughts long after the credits roll. Below are my ten favorite films of 2019 that meet that criteria. You can also check out my list from last year here.

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Film Feature: Carrie’s Top 10 Films of 2015

Spinning Platters film critics present their top 10 films of 2015

Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2015. Here is Carrie’s list, presented in alphabetical order. (And you can find Chad’s here.)

1.) Brooklyn
Eilis (Saoirse Ronan) shares a tender moment with boyfriend Tony (Emory Cohen).

The immigrant experience in America is exquisitely captured in director John Crowley’s finely crafted film about love, loss, and longing in 1950s Brooklyn. Based on the novel by Colm Tóibín, Nick Hornby’s screenplay presents us with the intrepid young Irish woman Eilis, who leaves her family in the Irish countryside for adventure and opportunity in New York. Saoirse Ronan suberbly conveys Eilis’s gradual shift from shy newcomer to confident cosmopolitan. Called back home for a family emergency, Eilis must choose between familiar comforts and new possibilities, and Ronan depicts Eilis’s struggle with heartrending openness and aching honesty. Emory Cohen and Domhnall Gleeson, as competing suitors on opposite sides of the Atlantic, also deliver strong, sharply drawn performances.

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Film Review: Spotlight

Power of the press is real hero of McCarthy’s inspiring, well-executed picture

The Boston Globe Spotlight team (from left: Rachel McAdams, Michael Keaton, and Mark Ruffalo) uncover a major story.

Writer/director Tom McCarthy is perhaps best known for his character-driven films like The Station Agent, The Visitor, and Up. With his new film Spotlight, though, McCarthy stresses the story itself, yet his film proves just as successful – if not actually more so – than his earlier pictures that favored rich character development. Indeed, not since 1976’s All the President’s Men has a film so deftly and engagingly captured the heart-pounding excitement of intrepid reporters uncovering a major story of enormous national significance.

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Eternally Grateful for Eternal Sunshine

Why Eternal Sunshine of the Spotless Mind is one of my favorite films (of all time) and should be one of yours, too!

Eleven years ago today (March 19, 2004), Michel Gondry’s award winning sci-fi romantic dramedy, Eternal Sunshine of the Spotless Mind, starring Jim Carrey and Kate Winslet, was released – and how to categorize such a multifaceted film gem? At the time, it played strong in somewhat limited release, earning $34 million in the domestic box office while garnering very positive critical reviews and mass audience approval. More than a decade later, Eternal Sunshine of the Spotless Mind is a widely respected title, but it often goes unrecognized for its lasting power and timelessness. It has so much going for it, even eleven years later, that one must wonder why it doesn’t frequent more award ceremony montages, more best film lists, and more casual conversations between friends about their favorite films of all time. The A.V. Club got it right, claiming Eternal Sunshine to be the best film of the 2000s. You may be thinking, ‘I liked the movie, but it’s not one of my all time favorites’. Well, I implore you to reconsider, and here’s why:

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Film Feature: Carrie and Chad Pick the Oscars

Film critics Carrie and Chad on who will – and who should – win the 87th Academy Awards

The 87th Academy Awards air this Sunday, February 22nd on ABC at 5:00pm PST (red carpet coverage begins at 4:00, if you want to dish on fashion highs and lows). There are some tight races this year – Best Picture and Best Actor are especially hard to call. Here are Carrie and Chad’s predictions – and hopes – for the major categories:
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Film Review: Foxcatcher

Carell’s performance is main event in otherwise slow wrestling movie

John du Pont (Steve Carell) gives wrestler Mark Schultz (Channing Tatum) an earful.

Director Bennett Miller returns to the big screen this month with Foxcatcher, his first feature since 2011’s Moneyball. Like that film, Foxcatcher also draws its inspiration from a true-life sports story, but, ultimately, Foxcatcher is really more of a psychological character study. While it’s a compelling look at descending madness, the film proves itself a rather static, chilly narrative, albeit one with some exceptionally strong performances.

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MVFF Spotlights #3: The Imitation Game/Foxcatcher

The 37^th Mill Valley Film Festival wrapped up last night. The Festival screened some of this fall’s most hotly anticipated pictures: Dan Gilroy’s Nightcrawler and Damien Chazelle’s Whiplash, and many more. We gave you a look at some of the festival’s lesser known independent films, now here’s a quick look at a few of the hot titles (and Oscar bait) coming out this fall. For full festival photos and information, visit: http://mvff.com.

The Imitation Game
(US/UK 2014, 113 min; English)

The Imitation Game is a return to the traditional period bio-dramas of yesteryear (you know, like A Beautiful Mind). It tells the story of Alan Turing, the British mathematician who cracked the German Enigma c0de during World War II, thus introducing the world to computer science while having a large impact on helping the Allied forces win the war, and who was also subsequently arrested after the war for being a homosexual. Everything about the film is rock solid, from the stalwart acting, led by a fantastic Benedict Cumberbatch as Turing, to the film’s music and set design. While many movies, dramas in particular, flounder under the weight of forced contrivances, The Imitation Game embraces and utilizes them to an entertaining degree. We’re right there cracking the code alongside Turing in this old-fashioned period drama.

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Final SFIFF Spotlights: Alex of Venice/Begin Again

Spinning Platters brings you two final spotlights from the 57th San Francisco International Film Festival (SFIFF), which closed on Thursday with Chris Messina’s film Alex of Venice at the Castro, with many of the cast there for a fun Q&A. You can check out the Festival award winners here, and be sure to keep your eye out for many of these films as they are released throughout the year.

Alex of Venice
(USA 2014, 87 min)

Mary Elizabeth Winstead and Chris Messina in Alex of Venice.

The Mindy Project’s Chris Messina makes his directorial debut with this emotionally rich drama about the dissolution of a marriage. In the Q&A following the film, Messina cited Kramer vs. Kramer, Hannah and Her Sisters, and All the Real Girls as influencing his picture, and, indeed, all the best tonal elements of those films can be felt here. Strong performances from Mary Elizabeth Winstead as workaholic environmental attorney Alex, Katie Nehra as her more free-spirited sister, and Don Johnson as their actor father on the verge of a health crisis solidly anchor the film. Messina, as Alex’s unhappy husband George, and young Skylar Gaertner as Alex and George’s son Dakota round out the cast nicely, with Gaertner’s portrayal just as nuanced and sensitive as Justin Henry’s in Kramer vs. Kramer. A side story about Alex’s father appearing in The Cherry Orchard is a bit of a heavy-handed metaphor, but that’s just one small quibble with an otherwise excellent first feature. Continue reading “Final SFIFF Spotlights: Alex of Venice/Begin Again”

Film Review: “The Avengers”

Jeremy-Renner-Chris-Evans-and-Scarlett-Johansson-in-The-Avengers-2012-Movie-Image3-600x400 — Jeremy Renner, Chris Evans, and Scarlett Johansson in THE AVENGERS

starring: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgard, Samuel L. Jackson, Gwyneth Paltrow

written by: Joss Whedon (story and screenplay), Zak Penn (story)

directed by: Joss Whedon

MPAA: Rated PG-13 for intense sequences of sci-fi violence and action throughout, and a mild drug reference

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