Show Review: Peter Cetera with Richard Marx at Thunder Valley Casino Amphitheatre, 7/13/18

Cross this off my bucket list: I’ve loved Peter Cetera for as long as I can remember.

Like many children of the 80s, I still harbor a strong sentimental attachment to some of the tunes that might make others groan. Before I was old enough to start developing musical tastes of my own, my mom raised me on a steady diet of light rock, less talk. (No, you just sang the KOIT jingle in your head!) I think my personal trifecta from those days is (in no particular order): Billy Joel, Lionel Richie (with The Commodores and solo), and Peter Cetera (with Chicago but especially solo). At least for me, there is something about the music I loved as a kid that can have the power to invoke a true sense of joy that can be hard to find anywhere else.

Last month, my mom won a pair of tickets to see REO Speedwagon and Chicago, and she asked me to go with her. I thought it would be a blast, but I admit I was disappointed at the prospect of seeing Chicago sans Cetera. Between sets, I decided I should look to see if he was touring on his own. Much to my delight, not only was he currently touring, but I found tickets that were a mere two weeks away, in San Jose. Before I could buy them, though, Chicago took the stage, and I put my phone away to enjoy what turned out to be a truly fantastic performance.

The next day, I returned to my ticketing site of choice to buy tickets, and discovered I’d overlooked a second date the night before: this one was a month away, rather than two weeks, and I’d have to schlep out to the Sacramento area in the dead of the summer, but instead of just being Cetera solo, it also boasted Richard Marx on the bill. Though this is an artist my mother enjoys as much as I do, he wasn’t an heirloom: Richard Marx is an artist I learned to love all on my own, from the late 80s on. I bought tickets in a matter of moments and then started counting down the days until I could get myself out to Thunder Valley Casino on Friday the 13th (of July). Continue reading “Show Review: Peter Cetera with Richard Marx at Thunder Valley Casino Amphitheatre, 7/13/18”

Show Review: The Music of John Williams—from Star Wars to Harry Potter!

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As you can see from the image above, this wasn’t your average night at the symphony. On Thursday, the San Francisco Symphony honored legendary film composer John Williams with a program full of his iconic, award-winning scores. From fantasy epics like Star Wars and Harry Potter, to memorable dramas like Schindler’s List and Lincoln, John Williams has put a musical stamp on well over 100 films, and is still writing amazing scores to this day, at age 84.

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The Spinning Platters Guide to the Best Films of 2012

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It’s list time! 2012 marked my second full year serving as Spinning Platters’ movie editor, and I once again had the kinda-privilege of seeing nearly every theatrical release. But I have to say, and maybe it’s just because I’m already jaded and embittered after only two years of full-fledged film criticism: I was rather disappointed by the 2012 crop. Last year I had a bitch of a time narrowing my favorites down to just ten, while this year I had to talk myself into believing a few of them were even worthy of top-ten canonization. And unlike 2011, this year left me without a clear favorite. I still use a ranked list below, but my top four are fairly interchangeable. Still, some things have remained the same: as with last year, there is at least one optimistic critical favorite I’ve aligned myself squarely against (last year it was The Artist, this year it’s Silver Linings Playbook), as well as one blockbuster comedy that somehow made it into my top five. So without any further ado, let’s dive into my begrudging top ten, some honorable mentions, my bitchiest moments of the year, and the movie I’m most embarrassed about praising.

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Film Review: “Lincoln”

Daniel Day-Lewis in LINCOLN

starring: Daniel Day-Lewis, Sally Field, Tommy Lee Jones, David Strathairn, Joseph Gordon-Levitt, James Spader

written by: Tony Kushner

directed by: Steven Spielberg

MPAA: Rated PG-13 for an intense scene of war violence, some images of carnage and brief strong language

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