You can’t go home again, but you can make a mediocre movie about it
Writer/director Kenneth Branagh, best known for his Shakespeare adaptations, turns his attention from the Elizabethan era to late 1960s Northern Ireland in his new film Belfast. The time and place offer as much drama and conflict as anything by the Bard, but Branagh’s nostalgic film, a black and white period piece based on his own boyhood, feels lightweight and forgettable despite its dramatic context.
