Jeff Goldblum

Film Review: Isle of Dogs

by Chris Piper on March 23, 2018

Anderson’s new film stumbles

From l-r: Bryan Cranston as Chief, Bob Balaban as King, Koyu Rankin as Atari Kobayashi, Bill Murray as Boss, Edward Norton as Rex, and Jeff Goldblum as Duke.

Early in Isle of Dogs, Wes Anderson’s ninth feature film, the troubled but resolute stray dog Chief (Bryan Cranston) exhorts his pack to persevere despite extreme difficulties. “You’re Rex,” he says to Rex (Edward Norton). “You’re King,” he reminds King (Bob Balaban). “You’re Duke,” he cajoles Duke (Jeff Goldblum): “We’re a pack of scary, indestructible alpha dogs.” We the audience are now helplessly under their sway, and will follow them through this film anywhere.

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Annie Ellicott sings with Jeff Goldblum (on piano) and the Mildred Snitzer Orchestra at the Marines’ Memorial Theatre on Jan. 28th. (Photo courtesy of:

For the third year in a row, SF Sketchfest fans were treated to the affable charm of actor and musician Jeff Goldblum, who brought his Mildred Snitzer Orchestra jazz band to the Marines’ Memorial Theatre last Sunday for a cabaret-style evening of jazz, movie clips, and a whole lot more. Goldblum’s laid-back and amiable presence is always enjoyable, and he seems to take just as much pleasure in his show and his audience interaction as his fans do. [read the whole post]


It’s that time of year when the best possible three weeks of comedy programing take over Bay Area theaters, art spaces, and nightclubs: SF Sketchfest! There is so much good stuff happening that it’s impossible to make heads or tails of where to go when. Well, I’ve been studying the schedule in great detail for the last several weeks, and since I am of impeccable taste, I can tell you beyond a shadow of a doubt what the best things are to do each day of the event. [read the whole post]


METALLICA! And nothing else matters…

Photo by Ben Irwin

Day 2 of any festival is a little rough. Your energy is a little bit zapped from the day before. You can’t seem to drink enough water or coffee. Your legs are sore. So when you finally get there, you need something to kick yourself into gear. And I managed to stumble across that band at 12:00 on the dot. [read the whole post]


Film Review: Le Week-End

by Carrie Kahn on March 21, 2014

Jesse and Celine in retirement: Fine acting can’t save voyeuristic, derivative film

Together, yet apart: Jim Broadbent' as Nick and Lindsay Duncan as Meg in a moody scene from Le Week-End.

Together, yet apart: Jim Broadbent as Nick and Lindsay Duncan as Meg in a moody scene from Le Week-End.

Your enjoyment of Le Week-End, the new collaboration from director Roger Michell (Hyde Park on Hudson, Notting Hill) and writer Hanif Kureishi (Venus, My Beautiful Launderette) will depend on your predilection for eavesdropping on intimate conversations between longtime couples. If being privy to such personal discussions intrigues and delights you, then you may be the audience for this picture. If the dissection of the intricacies of a 30-year-marriage doesn’t sound appealing to you, however, then you may want to pass on this one. [read the whole post]


Anderson’s old fashioned adventure tale captivates, delights

Ralph Fiennes as Gustave H. and Tony Revolori as the Lobby Boy Zero contemplate their options in The Grand Budapest Hotel.

Ralph Fiennes as Gustave H. and Tony Revolori as the Lobby Boy Zero contemplate their options in The Grand Budapest Hotel.

Wes Anderson is one of those polarizing filmmakers whose films are either loved or hated. His legions of fans delight in his highly stylized artistry, whimsical storytelling, and quirky characters, while his detractors deride his pictures as pretentious at worst and lightweight at best. Anderson’s newest offering, The Grand Budapest Hotel, however, should satisfy his fans and critics alike, as it melds his trademark fairy tale sensibility with an undercurrent of melancholy and solemnity that keep the picture from being too cloying or precious. [read the whole post]