jared leto – Spinning Platters

Film Review: Suicide Squad

Suicide Squad dies a slow, painfully disappointing death.

maxresdefault-1 — More like an awkward dance than a ballroom blitz.

Watch the Suicide Squad trailer one more time. Do you feel that insane energy? Well, that same energy exuding from all the Suicide Squad trailers, posters, and marketing materials doesn’t exude from the feature film. All the hype, and true potential, of this anti-hero DC property has been damaged by over-bloated character introductions, weak villains, and a restrained take on some of the DC Universe’s most iconic psychopaths — looking at YOU, Joker! Suicide Squad could’ve been so much more, but unfortunately the DC film producers, again, trivialize a tremendous premise into an “extended trailer” for the Justice League movie, which is becoming less and less enticing with every preceding related release.

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Film Feature: Carrie’s Top 10 Films of 2013

Spinning Platters film critics Carrie Kahn and Chad Liffmann present their Top 10 Films of 2013. Here’s Carrie’s list, presented in alphabetical order.

1.) All is Lost
Robert Redford struggles against the elements in All is Lost.

That a film with just a single actor and virtually no dialog can be absolutely riveting is a testament both to Robert Redford’s brilliant acting and to writer/director J.C. Chandor’s exceptional skill at his craft. Redford says more with his rugged face and worried eyes than most actors do with a wordy, five-star script. Not since Jaws and The Perfect Storm has a film so totally absorbed us in a man-against-sea survival story. And Chandor’s ambiguous ending lends itself to hours of debate and discussion; everyone who has seen this film has a strong opinion, and that a near-silent film can generate such passion makes it special and noteworthy. Continue reading “Film Feature: Carrie’s Top 10 Films of 2013”

Live 105’s Not So Silent Night: Muse, AFI, 30 Seconds To Mars, Vampire Weekend, Metric, Scene Of Action at Oracle Arena, 12/11/09

Matthew Bellamy, Showing Off His Firefly Collection To 20,000 Of His Closest Friends

Radio-sponsored concerts exist for multiple reasons. The first reason is, well, to make money. Since Nielsen-based ratings aren’t the most precise way to go, often times the best way to prove to advertisers your worth is to put on a big show that’s promoted by the station, and use those numbers to bring in big money for the commercials. The other, more dignified reason, is as a thank you for the listeners. It gives them a more hands on experience with the music they’ve grown to love by supporting their local radio station. I’ve been to many of these kinds of shows in my life, and I generally think that they are a pretty good time. Sometimes, though, they can be a bit too erratic to truly enjoy, much like most commercial radio. If there was any problem with this year’s show, it’s that the music was, stylistically, a little too varied for a common night. When the two bands that share the most similar influences are Vampire Weekend and AFI, you know it’s going to be a strange night.

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