Fox – Spinning Platters

Show Review: A Night of Enchantment: Pixies and Slow Pulp Grace the Fox Theater – Oakland, 5/4/23

A Night of Enchantment: Pixies and Slow Pulp Grace the Fox Theater

Within the heart of downtown Oakland lies the historic Fox Theater, a stunning Art Deco masterpiece that has set the stage for many an unforgettable concert experience. Last week, the theater’s exquisite interior and world-class sound system played host to an electrifying performance by the Pixies, with Slow Pulp as their mesmerizing opening act. Continue reading “Show Review: A Night of Enchantment: Pixies and Slow Pulp Grace the Fox Theater — Oakland, 5/4/23”

Film Review: Zootopia

So good it might as well feature humans, but then it wouldn’t be as good.

The DMV scene that has everybody laughing hysterically!

Zootopia has all the makings of a classic Pixar film. Everything except the emotional heft. But seriously, it has absolutely everything else going for it — it’s inventive, beautifully animated, smart, funny, and well-rounded. Just because it doesn’t make you cry shouldn’t be any reason to think less of this Disney entry, though it’ll inevitably be compared to recent Pixar films (I’ve already been asked if it’s as good as Inside Out, which it isn’t, but it’s more re-watchable). Two of Zootopia‘s directors are Byron Howard (Bolt, Tangled) and Rich Moore (Wreck-It Ralph), so you know that the sense of humor will be quick-witted and charming, and the characters quirky and varied. But more significantly than that, Zootopia sustains a maximum sense of fun while simultaneously tackling social issues with more finesse than most films.

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Show Review: TV On The Radio, Nostalghia at The Fox Theater – Oakland, 3/31/15

TV On The Radio are at an interesting point in their career. The band’s age is such that they are no longer actively buzzed about, yet they don’t stay far enough removed from the music scene to ever be experiencing a “comeback.” A lot of bands can become a little lazy at this point, opting to simply release likable records that don’t really push any boundaries, and serve just as an excuse to tour; TV On The Radio, however, simply have too deep of an imagination to go that direction. As 2014’s Seeds will go down as one of the finest records of their career, the set they played at Oakland’s Fox Theater (their first proper headlining show around here since its release) may go down in history as their finest performance in the Bay Area.
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Show Review: Wilco, White Denim at The Fox Theater – Oakland, 1/31/12

The success of Chicago experimental-alt.country-indie rock combo Wilco really defies the conventions of a successful rock band. Where most bands become as big as they will get within about 5 years of performing, these guys seem to get bigger and bigger every year. At nearly 20 years into their career, they are doing a “small venue” tour of 3,000 seat theaters, and each date on this tour seemingly sold out in minutes. SpinningPlatters were lucky enough to check them out on the third night of a mini Bay Area tour, where the hit San Jose and San Francisco on Saturday and Sunday respectively.

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Show Review: Wolf Parade with Moools and Zola Jesus at The Fox Theater, 7/28/2010

Friday night at The Fox Theater in Oakland, the Bay Area had Wolf Parade back in town for the tour for their 3rd album, Expo 86 ,which came out last month. The guys in the band are made up from quite a few other successful bands such as The Handsome Furs, Sunset Rubdown, and Hot Hot Heat. There’s an Arcade Fire song under their belt, among others projects as well. That’s some major Canadian indie rock street cred. Continue reading “Show Review: Wolf Parade with Moools and Zola Jesus at The Fox Theater, 7/28/2010”

Show Review: Sublime with Rome, Dirty Heads at The Fox Theater – Oakland, 4/23/10

As most everyone knows, Bradley Nowell passed away in 1996, months before the release of their self-titled record that ended up taking the world by storm. Very few people actually saw Sublime live because of this. Which may have been to the benefit of the band, because Sublime were a terrible live band. Nowell was wasted about 90% of the time, and rarely was able finish a song. The vast majority of the people that are offended by this reformation of the band aren’t aware of this. This version of Sublime is more than just a chance for the original rhythm section to hit the road again, this is a shot a redeeming Brad Nowell’s memory

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Reseñar de concierto: Paulina Rubio en teatro de Fox – Oakland, 9/26/09

How does she keep her legs looking so toned? Double Dutch, of course! — ¿Cómo ella guarda sus piernas así que entonó? ¡Brincando soga, por supuesto!:How does she keep her legs so toned? Double Dutch, of course!

Una de las mejores cosas sobre viviendo en los Estados Unidos es el hecho que todos quieren ser el crossover aquí. Esto significa que conseguimos a las estrellas arena-clasificadas de los países extranjeros que aquí tocan pequeños lugares a las pequeñas audiencias. Incluso si usted no conoce el trabajo del artista, todavía recomiendo enteramente ver uno de estos conciertos. Es una experiencia bastante asombrosa para conseguir un espectáculo grande en un pequeño lugar.

One of the greatest things about living in America is the fact that everyone wants to crossover here. This means that we often get arena-sized stars from foreign countries playing small venues to small audiences here. Even if you are unfamiliar with the artist’s work, I still wholly recommend seeing one of these shows. It’s a pretty amazing experience to get a big spectacle in a small place.

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Show Review: Yeah Yeah Yeahs, YACHT at The Fox Oakland, 9/9/09

The eye is there to keep the audience safe

So, yesterday was 9/9/09, the day of the Beatle. While everyone was at home listening to the newly remastered stereo and mono boxsets or playing the make believe Beatles video game, I opted to attend a performance by a slightly younger band that may only be as big as the Pope, not Jesus. (Now, if anyone at Harmonix or EMI is reading this, and would like me to review either Beatles Rock Band or the new remasters, feel free to send them my way: email me at dakin@spinningplatters.com and I will give you my mailing address)

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Third Eye Blind, The Upwelling at The Fox Oakland, 8/17/09

The last time I saw Third Eye Blind was in 1996. They opened for Oasis at the Bill Graham Civic Auditorium. They didn’t have a record deal, and nobody who purchased tickets purchased tickets to see them because, well, they were never advertised. I thought that they were catchy, but didn’t really think much of them. One year later, they released the record that was impossible to hide from. Cut to 1999, they release a second record, called Blue. Didn’t have any hits, and the band seemed to fall off of everyone’s radar. In 2003, they released a third record, which featured production by Andrew WK and vocals from Kimya Dawson of The Moldy Peaches and Kim Shattuck of The Muffs. It sold about 500,000 copies, which is a dramatic drop off from the six million of the first record. It was also the record that taught me to like the band. They were much more aggressive and passionate then they ever had been, which of course meant they were dropped from their major label deal.

Fast forward to 2009. They release their first record on an independent label. Bands such as Fall Out Boy and Taking Back Sunday rise to prominence, borrowing a few strategies from the 3EB playbook, especially the fusion of power pop with elements of grunge. They think it’s time for a comeback. It’s time for the rest of the world to figure it out, too.
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Show Review: Underworld at The Fox Oakland 8/7/09

thanks to ario_j for providing this photo from Flickr.

Underworld formed in 1986, yet are often considered part of the mid-90’s electronica craze that also included acts like Fatboy Slim, Chemical Brothers, and Crystal Method, among others. I’ve always felt that this was a bit of an unfair distinction, only because they are a bit different from the rest. (No disrespect to any of the aforementioned acts, they are all respectable within their own genres.) I feel that they are a pop group that incorporates elements of house, trance and industrial music. They also pay much closer regard to lyrics, oftentimes telling complete stories within their songs. Continue reading “Show Review: Underworld at The Fox Oakland 8/7/09”