Show Review: UnderCover Presents A Tribute to Green Day’s Dookie at The Fox Oakland, 2/19/2016

Lyz Luke and the cast of UnderCover
Lyz Luke and the cast of UnderCover

A record like Dookie, the magnum opus from the Bay Area’s arguably-most-popular punk band, Green Day, was not so much another album in the shop as it was a sonic bombshell going off, whose waves were felt in scenes across the Earth. The raw energy and youthful vigor had rarely been presented in so straightforward and familiar a manner, especially in a format and at a time that it was almost universally accessible to everyone looking for something refreshing and powerful in the current world. Dookie, by scene purists, may be remembered as the record that shoved one of the loudest, wildest dimensions of the music world into the spotlight, and while they may revile this fact, Dookie’s influence and impact on all music that came after it is undeniable. It still stands tall as one of the greatest records of its age, and one of the most famous to come from the East Bay of Northern California. It was fitting, therefore, that the Bay Area collective UnderCover culled together a collection of local players, all passionate fans of the effect this record had on them in their younger years, to kick off this year’s UnderCover Presents series with a 15-band tribute to one of the seminal works of 90s punk rock.

With so much to cover, I’ll be doing this in the style of the show: 15 mini-reviews of all of the songs, with photos for each, and a wrap-up at the end. Read on!

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Show Review: Puscifer with Luchafer at the Fox Oakland, 12/8/2015

Puscifer (Mat Mitchell, Paul Barker, Jeff Friedl, Carina Round, and Maynard James Keenan)
Puscifer (Mat Mitchell, Paul Barker, Jeff Friedl, Carina Round, and Maynard James Keenan)

Let’s get one thing out of the way before this review starts: Puscifer is not a side project. It’s a sprawling, multifaceted, genre-defying, borderline-synaesthetic outlet of artistic expression, the brainchild of Tool vocalist/winemaker Maynard James Keenan and musical mastermind Mat Mitchell — and at this point, they’ve been grinding the axe for nigh unto a decade (closer to twenty years, if you count their brief appearance on Mr. Show way back when), and it absolutely shows. The collective has been refining the elements of what their sound, their mission, and their performance entails, for that entire span of time and 2015’s Money Shot — the album, the tour, the experience — is the next step along the journey within the minds of this collective of visionaries. As with everything released during their career thus far, don’t let the smirk-inspiring record title (nor its positively comedic artwork) lead you into dismissing them outright. If anything, it’s a bit of a relief to know that the men and women of Puscifer have a sense of humor to match the seriousness with which they take their production, both for the live show and the music itself.

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Show Review: FFS at the Fox Oakland, 10/15/2015

Nick McCarthy, Russell Mael and Alex Kapranos of FFS
Nick McCarthy, Russell Mael and Alex Kapranos of FFS

Just over two years ago, timeless whimsical art-pop duo Sparks made their first appearance in the Bay Area in years, in the form of a stripped-down two-man show that spanned the entire course of their career. What probably WASN’T immediately well known, however, was the presence of members of another band at at least one of those very same shows: Alex Kapranos and the other musicians of Franz Ferdinand, who watched the show as regular members of the audience (and then joined the boys backstage after the gig). This wasn’t the first time that Ron and Russel Mael, the brothers of Sparks, had discussed working with the Glasgow rockers, but this gathering became the impetus to make something even bigger — and less than a year after those concerts, the supergroup FFS (named for the bands that make it up) was formed, with their eponymous album cranked out a few months later. The album and the band are their own unique experiences; FFS has a playfulness that recalls the best work of Sparks, which blends smartly with the bombastic showmanship of a big rock show — the sort of thing that Franz Ferdinand is well known for. Lest fans be worried that there’s a clear divide between the two groups, the truth couldn’t be more clear: the two sets of musicians play off of each other marvelously, and when it all comes together under one roof, the FFS live show is a different experience all by itself.

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Show Reviews: Mid-November (2014) METAL Overload with Slayer, Exodus, Suicidal, and Judas Priest!

Photos and review by: Alan Ralph @ARPhotoSF

There really is no such thing as “metal overload”.  If there was this many epic metal shows per week every week of the year, that would be more like “metal heaven” (except all metalheads are Satanic, right? So, “metal hell”?) …

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Show Review: Nickel Creek, The Secret Sisters at The Fox Theater – Oakland, 5/19/14

creekheader
All photos by Jonathan Pirro

To paraphrase Laura Rogers, lead vocalist for The Secret Sisters: “When Nickel Creek come on, you are going to smile, and stay smiling the whole time they are on stage.” It’s been nearly seven years since the great Southern California trio have last toured as a unit. Despite all three members making many trips to the Bay Area throughout the hiatus, it’s remained a very lonesome and sad seven years. During this period, we had to weather a folk revival with a slew of lesser bands become bigger than Nickel Creek ever were. Simply put, the world needs Nickel Creek.

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Spinning Platters Weekly Guide to Bay Area Concerts, 4/11/13-4/17/13

FEAR THE BEARD
Where have you gone, (baseball’s) Brian Wilson? You weren’t there for the San Francisco Giants’ 2012 ring ceremony.

Concerts! Shows! Performances! And this week in the Bay Area, they’re extra-beardy!

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Show Review: fun., Andrew McMahon at The Fox Theater – Oakland, 2/7/13

Nate Reuss of fun.
Nate Reuss of fun.

This would be my fourth time seeing fun. within the last twelve months. The first time was in the parking lot of a record store in Austin, TX. That show only featured the core of the band: vocalist Nate Reuss, keyboardist Andrew Dost and guitar player Jack Antonoff. It was 2 o clock in the afternoon in the baking hot sun, and the crowd was simply mad for them. I knew from that moment that this band had the right balance of sincerity and showmanship to make it big. It was a rare moment when I wanted to get to see a band play the big rooms. Shortly after this show, “We Are Young” became a monsterous hit, and their full band, electric club tour that was booked at tiny clubs turned into the hottest ticket in town. Tonight, a short 11 months after that first time in the record store parking lot, I got to see this band do the “full big room” show. And, by golly, the succeeded at it.

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Show Review: Sleep with Oxbow and Kowloon Walled City at the Fox Oakland, 6/5/2012

Matt Pike of Sleep
Matt Pike of Sleep

It’s fairly easy to forget that one of the most important factors of a live performance that distinguishes it from a record is the sheer loudness of the music being played. Concertgoers far and wide are usually pretty good about remembering earplugs, as a result of this fact, and those that don’t can usually protect themselves with handy booths located within the walls of whatever theater they’re ready to get sonically disintegrated within. Generally, though, one can take a blast of churning riffs and thundering beats to the face for a few hours over the course of one evening, and come out relatively unscathed, albeit with their ears possibly ringing for a day or two afterwards. Thus, there lies an entire world of experimentation in the form of performing music at tremendously high levels of volume — although the songs can become almost painful in their intensity. Channel that sound into baleful, fearsome riffs, add a rhythm section that seeks to destroy bricks with its ferocity, and back it up with ludicrously powerful bass and howling, hellish vocals, and you’ll begin to glimpse what a set by the San Jose doom metal trio known as Sleep is like.

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Show Review: Tenacious D with The Sights at Fox Theater, 5/24/2012

Kyle Gass and Jack Black. Or, as we like to call them, Tenacious D.

If you search my iTunes account for “Jack Black,” you’ll find results in two separate areas: comedy films like School of Rock, and hidden in the music of a band known as Tenacious D. Their music has the distinction of being the only band on my entire iPod listed with the genre I call “comedy rock.” But the truth is, I never paid the band much mind. See, I love Mr. Black’s movies, and frankly I quite like everything I’ve seen of him as well. I’ve noticed over the years that he’s got a pretty great voice, too, which is how I came to acquire these Tenacious D albums. But the truth is, I’ve never really listened to them. I’m not sure why, but there’s the truth. So when I noticed they were headed my way (The Fox Theater in Oakland, to be exact) this week (Thursday night) promoting their newest album, Rize of the Fenix, I couldn’t pass up the chance to finally check out this band loud and live, the way I suspected they’re best experienced. Continue reading “Show Review: Tenacious D with The Sights at Fox Theater, 5/24/2012”

Show Review: St. Vincent and tUnE-yArDs with Kapowski at The Fox Oakland, 4/24/2012

The leading ladies of the evening
The leading ladies of the evening

If you asked someone what their favorite record by a female singer in 2011 was, odds are you would have gotten a reply that fit one of two options: 21 by Adele, or Ceremonials by Florence and the Machine. Both topped charts, and the former swept the Grammys, taking home the coveted Album Of The Year award, among others. Sadly, out of the spotlight (and off the radar for many a casual music fan) were a pair of records that rounded out Spinning Platters’ 2nd and 3rd place winners for our Album Picks of 2011, both by extraordinary women who have been captivating audiences all over the country, perhaps even the world, with their otherworldly but gorgeously eclectic brand of experimental indie rock. To pair the two together is a feat in and of itself, as the two have very different backgrounds — both in their own respective songwriting and in their own performing history — but it was, no doubt, an effective combination, as evidenced by the near sold-out crowd that arrived at Oakland’s Fox Theater on Tuesday night. The pair had skipped briefly across the country, even between two weekends at Coachella, and now were coming to the end of their trip: the Oklahoma-born, Manhattan-based Annie Clark, better known by her stage name St. Vincent, and Oakland’s own Merrill Garbus, more well known under the zanily-punctuated pseudonym of tUnE-yArDs.

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