Film Review: Fantastic Beasts and Where to Find Them

Fantastic beasts are plentiful in this magical yet slightly subpar re-intro to a familiar wizarding world.

Newt and a Fantastic Beast
Newt and a Fantastic Beast…and Dan Fogler.

I want a fantastic beast of my own! I’m incredibly relieved that there are moments in Fantastic Beasts and Where to Find Them that made me wish the wizarding world was real, and that I was privy to it. (I guess if I wasn’t privy to it, I wouldn’t know if it was real.) Anyway, one of the most wonderful characteristics of the Harry Potter books and early films was the wonder and charm they emitted. Sadly, as the trio of young wizards grew up, the plots became less warm and wondrous and more cold, pale, and dark. David Yates directed the final four Harry Potter films, and he’s back in the helm for the first return to that universe since 2011’s Harry Potter and the Deathly Hallows, Part 2. This return, the first installment of a new Fantastic Beasts series, isn’t as light and funny as The Sorcerer’s Stone, so despite a five year wait-time since the last movie (and 15 since the first), it’s very reminiscent of the dark Deathly Hallows. Part of this is due to the main characters being in their adulthood to start, so the inexperience and innocence of young wizards isn’t front and center. Another part is due to the 1920s New York setting of Fantastic Beasts — whereas most of the Harry Potter series took place in and around Hogwarts and fantastical woodland areas. And this new story is also a bit weaker than the initial Harry Potter entry. Needless to say, there are many reasons why Fantastic Beasts doesn’t capture the charm and magical pull of the original Harry Potter films, yet the beasts and characters fit right in to the world we’ve been missing for half a decade.

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Film Review: The Legend of Tarzan

Tarzan comes out swinging, but just barely misses.

He Tarzan.
He Tarzan.

Tarzan of the Apes, written by Edgar Rice Burroughs, first appeared in the pulp magazine All-Story Magazine in 1912. Since then, Tarzan has been the title character of numerous novels, TV series, film adaptations, and more. It’s an old and valuable property, hence the ® symbol noticeably visible on the opening title credit. Now there’s a new Tarzan feature film, not surprisingly called The Legend of Tarzan since at this juncture there’s enough in the Tarzan mythos to argue a “legend” has been well-established. Unfortunately, the new film can’t avoid the blatant traditional racial tropes that were overwhelmingly present in Burroughs’ creation — after all, Tarzan, the hero who frees slaves and shifts the political and cultural course of central Africa towards the greater good, is a white man. Racial issues aside, there are still some emotional and visual pitfalls that the exciting action and stunning vistas can’t make up for. What does work about The Legend of Tarzan, in addition to a better-than-expected script, is a testament to the solid direction of David Yates (who directed the final four Harry Potter films).

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