Film Review: Adrift

A nice day for a sail? Not quite.

Richard (Sam Claflin) and Tami (Shailene Woodley) are adrift in the Pacific after a fierce hurricane throws them off course.

Icelandic director Baltasar Kormákur is no stranger to the survival story genre; he directed 2015’s mountain-expedition-gone-bad thriller Everest, and 2012’s Icelandic-language The Deep, about a fisherman who capsizes before being rescued after six days in the water. That film probably planted the seed for Kormákur to take on Adrift, the film adaptation of Red Sky in Mourning: A True Story of Love, Loss, and Survival at Sea, Tami Oldham Ashcroft and Susea McGearhart’s 2002 book about the dire consequences of Hurricane Raymond on a sailing adventure undertaken by Tami and her fiancé Richard Sharp in 1983. Kormákur, working from a screenplay by twin brothers Aaron and Jordan Kandell (Moana) and David Branson Smith (Ingrid Goes West), has succeeded in creating a nerve-wracking, what-would-you-do, visceral sea faring adventure that rises to the top of a fairly crowded field.

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Film Review: Ingrid Goes West

Tonally uneven film obscures provocative premise   

Social media obsessed Ingrid (Aubrey Plaza) moves to L.A. with a plan to befriend her Instagram idol.

If you sometimes worry you may be checking your Facebook and Instagram feeds just a little too frequently, rest assured that you’ve got nothing on Ingrid Thorburn. As portrayed by an exceptional Audrey Plaza, the social media obsessed heroine of Ingrid Goes West becomes a poster child for smart phone restraint. Unfortunately, first time feature writer/director Matt Spicer and his co-writer David Branson Smith run into tone problems, turning what could have been a brilliant satire into something mildly amusing but ultimately unsatisfying, almost to the point of troubling.
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