Show Review: Cornelius, DJ Roscoe 2000 at The Independent, 3/16/18

All photos by Natalia Perez.

Walking into The Independent on Friday night, I was greeted by a huge white screen stretching from ceiling to floor, effectively and purposefully blocking the entire stage. As DJ Roscoe 2000 set the mood with tunes blending seamlessly into one another, a long white strip of tape on the ground politely requested we stand behind it, helpful arrows drawn to indicate the direction. The screen held a projected animation of a large white circle on a black background. As I watched, parts of the circle’s lines began to glow brighter, light expanding and pushing the boundaries of the circle until particles of light began to escape their linear confines. More and more areas started to glow, particles of the light escaping faster and in greater numbers, swirling outward, creating their own patterns, connections, and collective energy, until eventually returning to the circle, only to start the entire process again. As the lights started to dim, the DJ’s set faded to an end, and the projection began to alter its loop. Continue reading “Show Review: Cornelius, DJ Roscoe 2000 at The Independent, 3/16/18”

Noise Pop Show Review: The Ghost Of A Saber Toothed Tiger, If By Yes, Consortium Musicum at The Independent, 2/24/10

This show was, to some degree, the after party for the big  YOKO ONO PLASTIC ONO BAND on Tuesday night. It was just quite a bit later, but every member of the Plastic Ono Band was onstage, aside from the very famous lead singer. In fact, only one person appeared on stage tonight that didn’t appear at the previous evening’s show. It also consisted almost entirely of music that isn’t yet available in recorded form, which helped even out the familiarity playing field, but based on the turnout, it had little effect on ticket sales. It was a rare show that all in attendance came based on the reputations of the performers. Of course, when you have the son of a Beatle, leaders of two of the most innovative and influential acts ever to come out of japan, and the go-to girl for session violin of the alternative rock era, you’ve got a pretty set to work from.

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Noise Pop Show Review: Yoko Ono Plastic Ono Band with Deerhoof at The Fox Oakland, 2/23/10

I have spent a lot of time defending different artists in my day. Usually this is because, well, my tastes are difficult to define, to say the least. (Case in point: two of my early reviews, which happened one right after the other were this and this) But, the one single artist that I come to the defense of more than any other is Yoko Ono. Everyone has an opinion about her, and generally speaking, this opinion is pretty negative. The primary cause of this is most likely either a.) they blame her for the break up of The Beatles (I still think that this was Linda’s fault) or b.) they blame her for the widespread acceptance of the avant garde. I personally don’t hold her responsible for either of these things. I also think people either don’t take her seriously enough, or take her far too seriously.

I must give a respectful shout-out to the good people of Noise Pop for making this show happen. They took a chance at booking such a divisive figure for their opening night show, and it paid off pretty nicely.

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