Keren Ann and opener Chris Garneau put on a dreamily beautiful, strikingly intimate show at Yoshi’s SF last night. Keren Ann is touring behind her latest album, 101, which finds the French chanteuse exploring electronic textures rather than the spare, heartrending acoustics with which she has become associated; the album, with its more aggressive tone and dashes of lyrical violence, inspired the New York Times to stupidly dub it “gangsta folk”. But don’t run for your ghetto blasters just yet, because if last night’s show was any indication, Keren Ann won’t be abandoning her chansons and acoustic guitar any time soon.
Continue reading “Show Review: Keren Ann with Chris Garneau at Yoshi’s SF, 6/21/2011”