Charlotte Gainsbourg

Film Review: The Snowman

by Carrie Kahn on October 20, 2017

This Snowman will leave you cold       

Detective Harry Hole (Michael Fassbender) searches for a killer, and we search for a good movie. Which of us will be successful?

Whenever a movie is based on a book, there are always those who will passionately argue that “the book was better.” Sometimes they’re right and sometimes they’re wrong, but, in the case of The Snowman, which opens today, I firmly believe the-book-is-better-crowd is correct, and I haven’t even read the book upon which the film is based. But, I have seen the movie, and, after watching it, I cannot possibly fathom that anything could be worse than this nonsensical, hastily thrown together, boring mess.
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Now on the beaten path.

"Thank you Sir, can I have another!?"

“Thank you sir, can I have another!?”

(Warning: ‘Volume I’ spoilers immediately ahead.)

Last we left Joe, she had just been broken down with the tragic realization that she couldn’t feel anything.  Her years of sexual escapades and experimentation had left her suddenly numb, cold, distant, and depressed…and this is the new Joe that we get to follow in Lars von Trier’s Nymphomaniac: Volume II, the second half of his sexual cinematic odyssey.  Needless to say, this sequel of sorts doesn’t live up to the emotional gravitas and observational humor of Volume I, instead settling for a few interesting thoughts but mostly von Trier’s penchant for gratuitous sexual violence and plenty of shock value.

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Viewer discretion not advised…if you’re a mature adult.

Sex Ed. -- the artsy way.

Sex education — sort of.

Let’s get this out of the way — Lars von Trier makes films that are explicit, controversial, and sad as f-ck!  Some consider them pornographic, others call them gratuitous, while others call them brilliant works of art.  All opinions are right because Lars von Trier’s films, above all else, invite endless interpretations, conflicting opinions, and discussions.  His newest film, Nymphomaniac: Vol. I, the first part of a 4+ hour film divided into two volumes, is actually the third and final part of the “Depression Trilogy”, which includes von Trier’s prior efforts Antichrist (2009) and Melancholia (2011).  These three films aren’t connected in the traditional sense of trilogies, that is to say, by story.  Rather, they are tonally and thematically intertwined, each one separately exploring the worlds of sex, depression, and the multiple forms of human tragedy.  Hooray! ...right?  As you can imagine, these films don’t lend themselves to much mainstream appeal.  In my humble critic’s opinion, they should.  Well, maybe not Antichrist.  But Nymphomaniac: Vol. I is a fascinating and well-rounded exploration of sexuality, identity, eroticism, youthful angst, and self-reflection, as told through a traditional biopic film structure, that invites personal introspection and a yearning to discuss these topics with others.

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Kirsten Dunst in MELANCHOLIA

starring: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgard, Stellen Skarsgard, Charlotte Rampling, John Hurt, Brady Corbet, Udo Kier, Cameron Spurr

written and directed by: Lars von Trier

MPAA: Rated R for some graphic nudity, sexual content and language

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Charlotte Gainsbourg is just so effortlessly cool. The daughter of French music legend Serge Gainsbourg and his beautiful British muse, Jane Birkin, Gainsbourg has been singing and acting professionally for over 25 years. Her music has been critically well-received, and she’s worked with such celebrated directors as Franco Zeffirelli, Michel Gondry, Todd Haynes, and perhaps most notoriously, Lars Von Trier for Antichrist, for which she won the Best Actress prize at the Cannes Film Festival. But in an incredibly successful and diverse artistic career, IRM may stand as her greatest triumph.

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Pouria mentioning Kidz Bop in his intro is a great excuse for running this classic still from their "Since U Been Gone" video

Kidz Bop is really awful and weird and I swear it was on American Idol last night. Not that I watch that or anything. [read the whole post]

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