Show Review: Ministry and Carpenter Brut at The Fonda, 12/20/18

“This is The Twilight Zone!”

It seems I’m developing a bit of a reputation for my love of metal music. Sure enough, most of my tastes gravitate in a heavy, guitar crunching, angry spitting, violent dancing, political attack that much of metal shares with the world. This is why it should come as no surprise that I leapt for the chance to see Ministry at the Fonda Theatre one Thursday afternoon. However, this was no ordinary metal show, for Al Jourgenson and his cohorts were sharing the stage with 80s horror synth revivalist Carpenter Brut – whom I’ve also become deeply enamored with over the past year since Leather Teeth was released – and newcomers Alien Weaponry from New Zealand.

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Show Review: Carpenter Brut with Vector Hold at Great American Music Hall, 3/24/2017

This is the new synth party in town — and it’s as aggressive as it is danceable

Adrien Grousset of Carpenter Brut
Adrien Grousset of Carpenter Brut

An intriguing new in heavy electronic music is a genre known as “dark synthwave”, and numerous artists that fall under its umbrella have been snarling their way into existence. It brings along the sounds of retro analog synths, thundering snares, and wildly vibrant guitars, possessed of a vibe reminiscent of action movies and old-school video games; a colleague of mine referred to it as “French musicians playing the best music for driving 100MPH in 80s cars”, and it’s a rather apt description. Players like Perturbator and Gost have made their way into the Bay Area in recent months, and closing out the month of March was Carpenter Brut, the one-man-masterpiece of one Franck Hueso (or “Frank B. Carpenter” as his live moniker) that mashes up the ideas of John Carpenter’s action/horror films with a blast of furious guitars and drums to drive the music at a fevered pace.

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