Bryan Cranston

Film Review: Last Flag Flying

by Chris Piper on November 10, 2017

Time heals all wounds, mostly

Sal (Bryan Cranston), Mueller (Laurence Fishburne), and Doc (Steve Carell) on one last mission

Sal (Bryan Cranston), Mueller (Laurence Fishburne), and Doc (Steve Carell) on one last mission.

Here’s an interesting number, 18, which is the number of feature films directed by Richard Linklater. He’s made a film about rootless Austin hipsters, a film about 70’s high school escapades, a film about 80’s college escapades, a film about opening a school of rock, a film about a ragtag little league baseball team, a film about growing up, even a film about two erstwhile friends, their shared lover, and two hours of very tense conversation.  It’s an impressive number, 18, and would seemingly cover just about every conceivable theme. But whatever the plot, whichever the characters, wherever the setting, Linklater always makes films about time. And his 19th film, Last Flag Flying, is once again a film about time.

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Even with a few stumbles, this is an ultimately fun return of a classic franchise.

Saban's new Power Rangers

Saban’s new Power Rangers

Remaking a story like that of Power Rangers requires a great deal of care on two fronts. On the one hand, preserving the world, the characters, and the essential plotlines, is important in order to make the new film appeal in the first place (brand new characters, names, etc., simply wouldn’t fly), but also requires being modernized to fit the sheen and shine of big-budget motion pictures. However, there’s also the concern of keeping a lot of the original charm — which isn’t without its strong sense of extreme camp and over-the-top flashiness — and not having that clash strongly with a modern sense of acting and drama. Thankfully, Lionsgate’s new attempt at rebooting the Power Rangers franchise is ultimately a very fun effort, despite its occasional awkward moments that stumble slightly before the big, explosive finishes arrive. [read the whole post]


Roaring (and lumbering) back into action!

Godzilla's so vain, he probably thinks this movie's about him.

Godzilla’s so vain, he probably thinks this movie’s about him.

In comparison to 1998’s embarrassing excuse for a blockbuster, Godzilla (directed by Roland Emmerich), most popcorn flicks look Oscar worthy.  What’s refreshing about 2014’s Godzilla, directed by Gareth Edwards (Monsters), is that it shows off some remarkably cool modern sequences while embracing the traditional look and feel of the classic Godzilla films and the summer movies of the late 70’s that established the blockbuster sub-genre.  After the overload of monsters and CG destruction we see in movies these days, it’s a relief to know that there’s still room for a film to embrace the origins of both and still surprise us.  Welcome back, Godzilla.

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starring: Julianne Hough, Diego Boneta, Tom Cruise, Alec Baldwin, Russell Brand, Malin Akerman, Catherine Zeta-Jones, Mary J. Blige, Paul Giamatti, Bryan Cranston

written by: Justin Theroux, Chris D’Arienzo, Allan Loeb

directed by: Adam Shankman

MPAA: Rated PG-13 for sexual content, suggestive dancing, some heavy drinking, and language

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Taylor Kitsch and Lynn Collins in JOHN CARTER

starring: Taylor Kitsch, Lynn Collins, Samantha Morton, Willem Dafoe, Thomas Haden Church, Mark Strong, Ciaran Hinds, Dominic West, James Purefoy, Bryan Cranston, Polly Walker

written by: Andrew Stanton, Mark Andrews, and Michael Chabon

directed by: Andrew Stanton

MPAA: Rated PG-13 for intense sequences of violence and action

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Film Review: “Drive”

by Jason LeRoy on September 15, 2011

Ill-fated henchman and Ryan Gosling in DRIVE

starring: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Ron Perlman, Christina Hendricks, Oscar Isaac

written by: Hossein Amini

directed by: Nicolas Winding Refn

MPAA: Rated R for strong brutal bloody violence, language and some nudity.

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