Film Review: “She Came to Me”

Dinklage, Tomei can’t save Miller’s embarrassing misstep

Depressed opera composer Steven (Peter Dinklage) and tugboat captain Katrina (Marisa Tomei) chat over an afternoon drink.

Twenty-one years ago, writer/director Rebecca Miller won the Grand Jury Prize at Sundance for her drama Personal Velocity. Other well-received films followed, including her last film, Arthur Miller: Writer, a 2017 HBO documentary about her famous father. She returns now with She Came to Me, her first narrative feature since 2015’s terrific Maggie’s Plan, and, given her past successes, the results are disappointing. 

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Film Review: Spotlight

Power of the press is real hero of McCarthy’s inspiring, well-executed picture

The Boston Globe Spotlight team (from left: Rachel McAdams, Michael Keaton, and Mark Ruffalo) uncover a major story.

Writer/director Tom McCarthy is perhaps best known for his character-driven films like The Station Agent, The Visitor, and Up. With his new film Spotlight, though, McCarthy stresses the story itself, yet his film proves just as successful – if not actually more so – than his earlier pictures that favored rich character development. Indeed, not since 1976’s All the President’s Men has a film so deftly and engagingly captured the heart-pounding excitement of intrepid reporters uncovering a major story of enormous national significance.

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