It’s not possible to overstate the influence that the Mississippi Delta Blues has had on contemporary music. Every popular artist you can think of, from Beyonce, to Garth Brooks, and even Skrillex owes their due to the music which has some its origins in the West African music brought over by people kidnapped by the Dutch to become slaves in the American south. Blues forms the basis of rock and roll’s rhythms and instrumentation, and the blue notes as well – the flat 3rd, 5th, or 7th note that gives a more melancholy sound to the melody- is derived from blues. It was Muddy Waters, an early blues musician, who first started bending guitar strings while playing, in a departure from the classical style of guitar. Even jazz has its origins in the twelve-bar blues structure that grew out, at least in part, from southern work songs, chants, call and response, and spirituals sung by slaves, former slaves, or sharecroppers. Some researchers have made the case that blues emerged as a genre after the Emancipation Act, influenced strongly by the teachings of Booker T. Washington, and coinciding with the emergence of a Southern free black secular community.
Continue reading “Black History Month Series: Delta Blues to Rock and Roll and Beyond”
Some legendary figures defy easy categorization. When we talk about Nina Simone, the High Priestess of Soul, do we talk first about her prodigious piano playing? Or about her penetrating, arresting, smokey voice? The voice that demands that we pay attention, that we think, as well as feel? This is a voice of a revolution, one that challenges the listener. This is the bold voice of an activist, who does not have time for your shit. Listen! Her voice challenges us – it’s the expansive sound, the hard edges, the enunciation of every syllable, and the content. Simone sang relatively few ballads compared with other jazz singers of the day, choosing instead songs with a more political message that does not seek to comfort, but rather to undermine the listener’s comfort. Simone focused on uncomfortable songs. Some, like Lilac Wine, or Nobody Knows You When You’re Down and Out, are about loneliness and heartache. Others, like the standard Strange Fruit, or her own song, Mississippi Goddam, are political songs about the unjust murder of black people at the hands of white people in the South.