Spinning Platters Weekly Guide to Bay Area Concerts, 7/18/13-7/24/13

Playing 924 Gilman on Sunday. Plus, you will get a penny back.
Playing 924 Gilman on Sunday. Plus, you will get a penny back.

The middle of Summer means a surprisingly eclectic week with a bunch of bands you never thought you’d see live again!

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Show Review: OFF! at Amoeba Records Berkeley, 5/12/2012

Mario Rubalcaba, Keith Morris, and Steven McDonald of OFF!
Mario Rubalcaba, Keith Morris, and Steven McDonald of OFF!

When a band comes to a local record shop to do an in-store appearance, it’s a really unique type of event. Songs are generally stripped down to a more acoustic and delicate format, conversations are had between the band and the crowd with greater regularity and openness, and it’s a guaranteed opportunity for a meet-and-greet that often costs nothing more than the price of the group’s new record — which, in all likelihood, you’re there to buy so that they can sign it. However, not all artists can comfortably fit the first item on the agenda — a quiet show, an intimate arrangement of instruments — into their setup, and when their output’s main focus is blisteringly-fast, unflinchingly-loud, viciously-penned hardcore punk music, it’s not even in the same galaxy. Thus, the four-piece supergroup known as OFF! unleashed their set in Berkeley’s own Amoeba Records very much like they had the previous night at Slim’s in San Francisco: amps piled about, drummer Mario Rubalcaba sandwiched in between the gear on the miniscule stage, and every single object capable of emitting sound cranked into the stratosphere for 30 solid minutes.

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Show Review: The Dirty Projectors, Dominique Young Unique at The Fillmore, 9/25/10

About 18 months ago, I saw TV On The Radio play a show at The Fox Theater. The opening band was a group called Dirty Projectors. I thought they had a lot of brilliant ideas, but seemed a bit “loose.” The songs never seemed to end, they just crashed, but they had some great singers and it looked like, once they took the time to solidify their sound, they were going to become great. A short while later, a record called Bitte Orca was released, a stunning blend of I-Three’s inspired reggae, 21st century classical composition and indie pop. It became my favorite record of 2009. I was curious to see how they would bring this sound to the live show, especially after seeing their live show before the finished the record. After three visits that sold out rather quickly, I finally got to see it.

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