Edgar Wright’s newest film, Baby Driver, is a labor of love, many years in the making. The film would be a typical action crime drama were it not made by Wright, who is anything but typical. Instead, we get a creatively inspired film that takes this oft repeated form and adds a magical twist, which is that nearly every scene, from a romantic conversation in a laundromat to a brisk foot chase with guns blazing, is not only accompanied by inspired musical choices, but is also choreographed to the songs. The result crackles with life and bristles with energy. We were overjoyed to be able to spend a few minutes discussing the music and choreography with director Edgar Wright and budding superstar Ansel Elgort.
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