August – Spinning Platters

Single of the Week: “A Child’s Question, August” by PJ Harvey

I mean, new PJ Harvey is generally cause for celebration in almost any situation. “A Child’s Question, August” is not quite what I was expecting, but it was a happy surprise. The song opens not with her deep, powerful, blues-inflected alto that we’ve known to expect from her but a tender, quiet, almost fragile soprano. The song builds like a classic shoegaze anthem- raising in emotional intensity and volume slowly. There’s an Elvis-referencing chorus that flips “Love Me Tender” on its side and a chilling, baritone harmony from the modern voice of Paddington Bear, Ben Wishaw.

“A Child’s Question, August” is the first single from I Inside The Old Year Dying, Harvey’s first album of new material in seven years, coming your way July 7th. I will also note our honorable mention for Single Of The Week- a surprisingly spare and dissonant track from Kesha, “Eat The Acid.”

Show Review: An Evening With Billy Idol at The Fillmore, 8/17/10

While waiting in line to see Billy Idol last night at the Fillmore, I was talking to a friend on the phone that was rather disappointed to learn that his show was sold out, and the asking price on the streets was about $160. We were talking about Idol’s history, and I was informed that Idol was once a member of Siouxsie & The Banshees, but left the band because he felt that they weren’t taking music seriously enough. My immediate response was, of course, to chuckle, but I thought about Idol’s place in our society and realized that there is nobody else out there quite like him. He is part of the new wave era, the punk era, and the hair metal era, and managed to escape all of those trends with dignity & credibility. There is a reason that he is still able to sell out The Fillmore on a Tuesday night 30 years after his first record.

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Third Eye Blind, The Upwelling at The Fox Oakland, 8/17/09

The last time I saw Third Eye Blind was in 1996. They opened for Oasis at the Bill Graham Civic Auditorium. They didn’t have a record deal, and nobody who purchased tickets purchased tickets to see them because, well, they were never advertised. I thought that they were catchy, but didn’t really think much of them. One year later, they released the record that was impossible to hide from. Cut to 1999, they release a second record, called Blue. Didn’t have any hits, and the band seemed to fall off of everyone’s radar. In 2003, they released a third record, which featured production by Andrew WK and vocals from Kimya Dawson of The Moldy Peaches and Kim Shattuck of The Muffs. It sold about 500,000 copies, which is a dramatic drop off from the six million of the first record. It was also the record that taught me to like the band. They were much more aggressive and passionate then they ever had been, which of course meant they were dropped from their major label deal.

Fast forward to 2009. They release their first record on an independent label. Bands such as Fall Out Boy and Taking Back Sunday rise to prominence, borrowing a few strategies from the 3EB playbook, especially the fusion of power pop with elements of grunge. They think it’s time for a comeback. It’s time for the rest of the world to figure it out, too.
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Show Review: Underworld at The Fox Oakland 8/7/09

thanks to ario_j for providing this photo from Flickr.

Underworld formed in 1986, yet are often considered part of the mid-90’s electronica craze that also included acts like Fatboy Slim, Chemical Brothers, and Crystal Method, among others. I’ve always felt that this was a bit of an unfair distinction, only because they are a bit different from the rest. (No disrespect to any of the aforementioned acts, they are all respectable within their own genres.) I feel that they are a pop group that incorporates elements of house, trance and industrial music. They also pay much closer regard to lyrics, oftentimes telling complete stories within their songs. Continue reading “Show Review: Underworld at The Fox Oakland 8/7/09”

Show Review: Sonic Youth, Awesome Color at The Fox Theater, 8/2/09

Sonic Youth released their first record in 1982. Since then, they have averaged a new release every year and a half or so. (15 full length releases, in case you are keeping track.) This doesn’t include eps, singles, benefit compilation tracks, soundtrack work, side projects, parenting, eating, sleeping, or other such things that take up time. And, arguably, none of them have been “bad.” Sure, you might not have listened to Murray Street in a few years, but it’s still a good record. They are without peer in terms of longevity and consistency. They have a live presence that has always been a force to be reckoned with. The youngest member of the band is 47, but they still play like they are in their early 20’s.

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