Film Feature: SFFILM 2018 Festival Spotlights #4

Wrap up: 2018 San Francisco International Film Festival 

The 61st San Francisco International Film Festival ended last Tuesday, but many of its offerings will find their way to your neighborhood cinema in the near future. We conclude our coverage of this year’s Fest by taking a look at four of the Fest’s films that you may want to keep your eye out for in the coming months (our previous coverage posts can be found here, here, and here). And if you’re curious to see which Fest films took home awards this year, you can see all the winners here. In the meantime, we’ll see you next year for SFFILM #62! 

1.) Sorry to Bother You  (USA 2018, 107 min. Centerpiece)

Detroit (Tessa Thompson) and Cassius (Lakeith Stanfield) join with striking workers at their telemarketing firm in Oakland.

Oakland rapper and artist Boots Riley got the hometown reception from the Festival this year, as his debut feature film was given a first-of-its kind, dual-venue Bay Area premiere at two of the Bay Area’s most iconic and beloved theaters: Oakland’s Grand Lake Theater and San Francisco’s Castro Theater. The movie had previously premiered at Sundance, where it garnered a Grand Jury prize nomination, but its Bay Area premiere definitely felt more special. Riley’s film centers on Cassius (Lakeith Stanfield, Get Out), a new employee at a telemarketing company in downtown Oakland (exteriors were shot around Kaiser’s Franklin Street building) whose rise up the corporate ladder doesn’t come without cost, to himself, his girlfriend (Tessa Thompson), and his friends, colleagues, and community. While inarguably entertaining, Riley’s film has a definite first attempt feel: elements of political satire, social criticism, surrealist comedy, outrageous sci-fi, and sweet romance often overlap to an extreme, coming dangerously close to burying the picture beneath its own everything-but-the kitchen-sink weight. Comedically deft performances from Stanfield and Armie Hammer, as a villainous corporate head, though, are appealing enough to make the flaws of Riley’s jam-packed screenplay forgivable.

Sorry to Bother You will open in the Bay Area on Friday, July 6th.

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Film Feature: Carrie’s Top 10 Films of 2017

If you didn’t get out to the movies as much as you’d hoped in 2017, it’s not too late to catch up on these worthy titles!

Spinning Platters Film Editor Carrie Kahn shares her ten favorite films of 2017, presented in descending rank order. You can also check out her list from last year here

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Film Review: Cars 3

Horsepower and happy endings

Lightning McQueen (Owen Wilson), center, tries to run down past glory, with Storm Jackson (Armie Hammer), left, and Cruz Ramirez, right (Cristela Alonzo).

Oh how quickly the young become old, the strong become weak, and the fresh, young, star becomes the stale, old, has-been. In the age of computer-generated animated features, oh how long ten years can be.

Sadly, Cars 3 proves this old axiom, as it leans heavily on the achievements of the first two films, and mostly settles on telling a very basic story in a fairly predictable way. Cars “purists” (wherever they are) will no doubt be satisfied, but the rest of us will leave the theater nostalgic for the spectacular achievements of Pixar’s earlier efforts.

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Film Review: Nocturnal Animals

Ford’s newest picture well worth the wait     

West Texas ne’er-do-well Ray Marcus (Aaron Taylor-Johnson, middle) warily answers questions from lawman Bobby Andes (Michael Shannon, l.) and crime victim Tony (Jake Gyllenhaal, r.).

Tom Ford, the American fashion designer turned filmmaker who first garnered accolades for his cinematic talents back in 2009 with his Colin Firth-helmed picture A Single Man, finally returns seven years later with his follow up, another film inspired by a novel. With Nocturnal Animals, based on Austin Wright’s 1993 novel Tony and Susan, Ford again both directs and writes the screenplay, and proves that his first success was no fluke. Ford’s patient fans have been rewarded for their long wait with another visually stunning, captivating picture.
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Film Review: The Lone Ranger

Johnny Depp and Armie Hammer strut their hero stuff in The Lone Ranger
Johnny Depp and Armie Hammer strut their hero stuff in The Lone Ranger

“Hi-Ho, Silver! Away!”…meh.  When Hans Zimmer’s rehashed Sherlock Holmes score kicks into “William Tell Overture” mode, Disney’s new re-imagining of The Lone Ranger is at its best.  Unfortunately, this only happens twice.  What could have been (and should have been) a fun adventure ends up being an odd concoction of conflicting tones and a bloated story.  This “messiness” worked well in director Gore Verbinski’s last effort, Rango, but that film was about an eccentric chameleon in the midst of an identity crisis who ends up tangled in a Chinatown-esque conflict in a wild west animal town.  So, it was obviously poised to extend the limits of the bizarre.  The Lone Ranger, on the other hand, is about fun adventures.  Bad guys vs. good guys.  The film is 150 minutes long and easily could’ve been 90 minutes.  The few action set pieces are fun and well choreographed, but they lose their effect when they are bookended by a plodding story involving genocide, power struggles, and weird spiritual visions.

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Film Review: “Mirror Mirror”

Lily Collins and Armie Hammer in MIRROR MIRROR

starring: Lily Collins, Julia Roberts, Armie Hammer, Nathan Lane, Mare Winningham, Michael Lerner, Sean Bean, Mark Povenelli, Martin Klebba

written by: Marc Klein and Jason Keller

directed by: Tarsem

MPAA: Rated PG for some fantasy action and mild rude humor

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Film Review: “J. Edgar”

Leonardo DiCaprio and Armie Hammer in J. EDGAR

starring: Leonardo DiCaprio, Armie Hammer, Naomi Watts, Judi Dench, Ken Howard, Jeffrey Donovan, Dermot Mulroney, Josh Lucas, Denis O’Hare, Stephen Root, Ed Westwick, Miles Fisher

written by: Dustin Lance Black

directed by: Clint Eastwood

MPAA: Rated R for brief strong language

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