Film Feature: Carrie’s Top 10 Films of 2013

Spinning Platters film critics Carrie Kahn and Chad Liffmann present their Top 10 Films of 2013.  Here’s Carrie’s list, presented in alphabetical order.

1.) All is Lost
Robert Refdord struggles against the elements in All is Lost.
Robert Redford struggles against the elements in All is Lost.

That a film with just a single actor and virtually no dialog can be absolutely riveting is a testament both to Robert Redford’s brilliant acting and to writer/director J.C. Chandor’s exceptional skill at his craft. Redford says more with his rugged face and worried eyes than most actors do with a wordy, five-star script. Not since Jaws and The Perfect Storm has a film so totally absorbed us in a man-against-sea survival story. And Chandor’s ambiguous ending lends itself to hours of debate and discussion; everyone who has seen this film has a strong opinion, and that a near-silent film can generate such passion makes it special and noteworthy. Continue reading “Film Feature: Carrie’s Top 10 Films of 2013”

Film Review: Blue is the Warmest Color

On screen drama outshines off screen soap opera

Adele (Adele Exarchopoulos) and  Emma (Lea Seydoux) begin their new relationship with a kiss in Blue is the Warmest Color.
Adele (Adele Exarchopoulos) and Emma (Lea Seydoux) begin their new relationship with a kiss in Blue is the Warmest Color.

Much has been made in the press already about Blue is the Warmest Color, the three-hour French film that won the Palme d’Or at the Cannes Film Festival this year. The film gained notice immediately when, in an unprecedented move, the festival’s highest award was bestowed not just on the film’s writer/director, Abdellatif Kechiche, but also its two lead actresses, Adèle Exarchopoulos and Léa Seydoux. Since that time, the film has made headlines for its plot – a lesbian romance between two young women (one of whom is a high school student when the film begins) containing a lengthy and explicit sex scene between the two, as well as for its off-screen melodrama. That drama has included a very public war of words between the actresses and their director, and a promise by several New York City theaters to admit teenagers of all ages, despite the film’s NC-17 rating, a decision that has irked several conservative organizations.  Continue reading “Film Review: Blue is the Warmest Color”