Films – Page 2 – Spinning Platters

Film Review: “The Teachers’ Lounge”

The Teachers’ Lounge is a riveting microcosm of society’s clashing principles

The Teachers’ Lounge (original German title Das Lehrerzimmer) comes from director Ilker Çatak (I Was, I Am, I Will Be), and though you may not have heard of this German arthouse film, it earned numerous end-of-year accolades and is now nominated for Best Foreign Language Film at the upcoming 96th Academy Awards. The Teachers’ Lounge is a surprisingly gripping allegorical narrative about how seemingly trivial instances, under the right circumstances and involving certain types of individuals, can build up to damaging consequences.

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Film Review: “Sometimes I Think About Dying”

Ridley shines in poignant character study

Released today in the middle of what seems like unending gray Bay Area winter weather, Sometimes I Think About Dying is the perfect film to watch given our collective dreary mood.

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Film Review: “Argylle”

Argylle is a silly waste of (too much) time and (too much) talent

Before we get too far into this review, have you seen the newest Apple laptops and desktops? If not, don’t worry, because Argylle will show you. Yes, the new Apple Original Film, the spy thriller Argylle, is very much a commercial for Apple products. But that’s the weakest of my criticisms. The best thing about Argylle being released is that we don’t have to sit through its excruciating trailer anymore, which seemed to precede every movie in existence for the past four months. The worst thing about Argylle is that the full-length film is just as excruciating.

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Film Review: “Driving Madeleine”

A trip through Paris reveals the power of memory and connection

Madeleine (Line Renaud) connects with Charles (Dany Boon), her taxi driver on a long ride through Paris.

The new French film Driving Madeleine will no doubt remind American viewers of 1989’s Driving Miss Daisy and 2018’s Green Book, two award-winning American movies about disparate characters connecting because of a car ride. But Driving Madeleine (or Une Belle Course, its original French title) removes the racial themes and white savior narratives that garnered criticism of the latter two films, and it’s all the better for it. While slightly predictable, Driving Madeleine is a charming, intelligent, and warm character study. If you can’t take a Sunday drive through Paris any time soon, watching this film makes for a great substitute.

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Film Feature: Carrie’s Top 10 Films of 2023

Here’s what you’ve been waiting for: my 2023 cinematic favorites! You can also check out fellow film critic Chad Liffmann’s list here to compare and contrast and see who you agree with more. Will Oscar voters agree with us? We’ll find out when the nominations are announced on January 23rd!

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Film Review: “All of Us Strangers”

You were always on my mind: Haigh’s latest is a consummate tale of overcoming loss

Adam (Andrew Scott, l.) begins a relationship with his neighbor Harry (Paul Mescal).

Back in 2017, in my review of the lackluster film A Ghost Story, I declared that Manchester by the Sea was the “finest movie about grief ever made.” Fast forward to the present day, however, and I now retract my statement. Writer/director Andrew Haigh’s devastating new film All of Us Strangers has usurped that designation, and at this point I can’t fathom that another picture could even come close to knocking it out of position. An emotionally wrenching, achingly true, and deeply affecting story about trauma, grief, and memory, Haigh’s film is one of the year’s best.

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Film Review: “The Iron Claw”

The Iron Claw’s energy in the ring can’t overcome its weaknesses outside the ring

Your mileage may vary on how much you care about wrestling. Wrestling only became major sports entertainment in the late 1980s with the growing popularity of the WWF (World Wrestling Federation). But in the early 1980s, the Von Erich family sought fame on wrestling’s biggest stages, but tragedy continued to get in the way. The Iron Claw, a new sports drama named after the family’s trademark wrestling move, hastily captures this incredibly sad, hard-to-believe true story, but lacks emotional thoroughness in between its wrestling matches.

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Film Feature: Chad’s Top 20 Films of 2023

It’s been a great year for movies. All the hubbub about the ‘worst films of the year’ list that Variety put out is making a lot of noise, so I’d like to fire back with a Top 20 of the year list. There are so many to choose from, just look at the thirty movie posters above, all of which I’d consider very good films, great films, and even a few masterpieces. This is not a year to point out the worst, but rather one in which we should highlight the surplus of quality films released. Without further ado, here’s my ranked top twenty of 2023:

Fancy Dance

A criminally underseen indie film in which Lily Gladstone gives another memorable performance playing a resident of the Seneca–Cayuga Nation Reservation searching for her missing sister.

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Film Review: “Wonka”

Chalamet charms as young Willy Wonka

Amiable Willy Wonka (Timothée Chalamet) dreams of opening his own chocolate shop.

In 2018, writer/director Paul King’s Paddington 2 earned the coveted number one spot on my Top 10 list. After a few years working in television, King has returned to the big screen with his Paddington 2 co-writer Simon Farnaby to bring us Wonka. The picture is a similarly delightful and warmhearted holiday treat.

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Film Review: “The Zone of Interest”

Glazer’s newest masterpiece is a terrifying reflection on complicity

The hesitation that I had, and I imagine many people will have, about seeing The Zone of Interest was the fear of having more Holocaust imagery seared into my memory. There have been many Holocaust films made, all difficult to watch, and almost all important to see. It’s necessary that films, books, and oral testimonials accurately depict Nazi atrocities, so that they are never forgotten. That being said, it’s hard to be “in the mood” for a Holocaust film. Shortly into watching The Zone of Interest, I understood that the film’s intentions were not the same as previous Holocaust films. The Zone of Interest is as much about what you do see as what you don’t see, which is just as harrowing, if not more so. The film depicts the banality of evil, showing us a story of chilling complacency.

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