
This past Thursday, I attended the fourth installment of Flux Summit – a free, single-evening event that unites up-and-coming electronic and hip hop artists with professionals for an open discussion on the evolving dynamics of the industry. Hosted at Pyramind Studios, the session featured three panelists doling out expert advice on how you can get your music licensed in television shows, video games, and film.
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Once upon a time, in the late 90′s, a struggling singer-songwriter was finding it difficult to get her music heard. She was too edgy for Adult Contemporary radio, but too light for Alternative Rock radio. She also noticed that both of these genres were awfully male-centric. So, her solution was to find a group of like-minded female musicians and take them on the road with her. The basic idea is that there is strength in numbers, and with the marketing push of several artists, it could be good for everyone, much like Lollapalooza managed to accomplish in the early 90′s. That artist was Sarah McLachlan, and the tour was called The Lilith Fair, named after Adam’s first wife. [read the whole post]
The twentieth Annual High Sierra Music Festival, which takes place in Quincy, CA, is almost upon us and if you’re still seeking out plans for the long weekend of July 4th, then you should consider heading up to the mountainous town located eighty miles North of Reno to experience four days of music, exercise, workshops, parades and much, much, more.
Formed in 1991, the family-oriented, kid-friendly festival attracts between 7,000 – 8,000 attendees as well as a myriad of influential music acts that span across neo-hippie jam band-friendly genres including roots rock, electronica, afrobeat, jazz, bluegrass, and funk. There’s a lot of entertaining options offered up on the Plumas Sierra Fairgrounds to consider so without further ado, here are the top four reasons you should attend High Sierra Music Festival (HSMF)…
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Pre Mohawk Photo
Spinning Platters is, according to the banner, is a “Community Of Bay Area Music Nerds.” So when I learned of this show at Cobb’s, I got very excited. The premise is comedians telling stories about music, and singing a song relevant to the story with a live band. Of course, this event causes my music nerd soul to glow.
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Oh Captain Nemo, you know how to bring the crazy!
Although I knew nothing about the silent film 20,000 Leagues Under the Sea, I had high expectations for this evening, all of which were piled on Stephin Merritt’s shoulders. His amazing ability to craft the perfect quirky pop song seemed well suited to the project: creating a live score to a silent film. This is a mainstay of the San Francisco International Film Festival, after last year’s The Lost World with Dengue Fever, and I’m very happy it is. It is a great opportunity for a songwriter/composer to showcase his song-craft and experiment, but composing almost 2 hours of music that will enhance someone else’s work? It’s a tall order for even the most talented and interesting songwriter. [read the whole post]

Of all the movies playing at the San Francisco International Film Festival Jalsaghar (The Music Room) was what I wanted to see most.
An Indian film from 1958 that has been recently restored is not your usual popcorn popping movie. It’s more of a privilege to see and everything about my experience was just that. [read the whole post]