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From the category archives:

Commentary

This is a list of musicians of import that passed away in 2009. There will be many that are missed. You will be upset about some that I may have passed over. (I’m looking at you, Man In The Mirror) So, get ready to pour one down for:

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Opening For The Aquabats on Saturday Night

Opening For The Aquabats on Saturday Night

It’s a really big week this week, mostly because this is widely viewed as the last week people can get down and party before focusing their attention (and finances) the the wretched beast known as “Late December Holiday Season.” So, for all of you out there that wish to blow all that money you’ve been saving on a nice new golden chariot for grandma, here are a few really great shows for you to attend:

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Their logo is really pretty

Their logo is really pretty

The world is moving toward streaming music. That’s the buzz you’ll hear from tech bloggers, music industry insiders, and companies offering streaming music. The newest entrant into the online streaming sweepstakes is MOG, who yesterday began offering their All Access Music Pass at $5 a month for unlimited streaming. What they fail to say in their marketing is that you’re paying for a public beta. I should explain. [read the whole post]

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TigerBeat-JustinBieber P1As the decade comes to an end, it means it’s time for lists. Lots of lists. All making a vague attempt at condensing the most pivotal parts of our popular culture, and spitting them out in a haphazard form. This is a list of what I, personally, consider to be the most important pure pop musical moments of our decade. You will be upset by things on this list. You may think I am a complete idiot for missing “____” by The _____’s. Just remember, this is a list of POP songs. I will not mis-estimate the importance of Radiohead, AR Rahman, The Strokes, Arcade Fire, Yeah Yeah Yeah’s, and other acts that will appear on every other best of the decade list. This is just a pop list. I don’t have room for the Fleet Foxes, I’m sorry.

Please Read, then begin arguing about my picks in the comments area (In no particular order):

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CaptainKirk1

It starts at the gate on a wooden table, security searching bags, removing water bottle caps. It’s not a line, but a mass of people, compressed into a singlularity, squeezed through metal detectors like orange juice through a strainer–the pulp left behind: water bottle caps, drugs, Diet Dr. Pepper cans piled in neat towers around the parking lot (each layer an epoch) and something else…something less tangible. Metal detectors root out invisible men with sirens: a novel assimilation process to remove their weapons and expose their water. An invasive beep accompanies me through the plastic archway, where a woman– African American, in a yellow staff polo– asks me if I’m wearing a belt. I pull up my sweater and t-shirt, the small metal belt buckle is proof enough of my identity; a gentle pat down proves that I am indeed visible and physical. No, I am not an invisible man, merely an inappropriately dressed white male with a balding pattern and an open bottle of water, covering a culture I know only through books, Boondocks episodes and BET. [read the whole post]

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Because I could never go home empty handed, I ended up with this

Because I could never go home empty handed, I ended up with this

For most of my life as a music nerd, Tuesdays were always my favorite day of the week.  On Tuesdays, I’d stop at Strawberries Records in West Springfield, MA and shop the new release rack.  I wouldn’t let myself leave without buying at least one thing.  This is how I ended up with The Bends, as I had liked “Creep” but not Pablo Honey, but there really wasn’t anything else interesting out that week.  As time has passed, Tuesdays have become less and less important, because now the release date for an album is somewhat random:  when it shows up online, it’s released.  Yet for some reason, the record labels are clinging to these release dates.  And in many cases, they still release albums on different dates in different countries.  This, for obvious file-sharing reasons, is beyond lunacy.  This post is a plea for record labels to end the archaic practice of release dates.  Not to help me–I’m well served by the Internet–but to help themselves.

The company I work for in my everyday life has a saying:  “We make it easy for our Customers to buy from us.”  When will the record labels adopt this attitude?

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Spinning Platters Picks Six: Bands That Seem Likely To Headline Outside Lands

August 3, 2009

(Update: Another Planet announced today that Tenacious D are going to be replacing The Beastie Boys… Odd choice, and one that I never would have expected…)
So, it seems that the good people at Another Planet are taking their time with revealing who will take over the headlining slot for the Beastie Boys.  I’d like to [...]

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Spinning Platters Weekly Tip Sheet: 6/30-7/6

June 30, 2009

Sorry about last week… We at Spinningplatters.com hope you found something to do, and if not, hope that you aren’t blaming us for that. We know that you still need to write your aunt that thank you letter. You should do it now!
On with our Michael Jackson tribute!

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Festival Preview: Wanderlust Festival in Squaw Valley, 7/24/09-7/26/09

June 3, 2009

This summer, a new festival comes to the Lake Tahoe area called the Wanderlust Festival. I’m extremely excited about this festival, and have already reserved a hotel room and picked up tickets. Now, I’m simply holding my breath and hoping they sell enough tickets for it to happen. Their marketing is poor. [...]

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May 4th, 2009 (Sluttering Day)

May 5, 2009

[caption id="" align="alignright" width="207" caption="Jawbreaker in their natural environment: the Mission District."]The guys on Mission Street.[/caption]There is no pain greater than that caused by a relationship’s dead future.

It is nearly unspeakable. All the best hopes and promises that a person could possibly have — dashed. Irretrievable. Yet the memories of sweetness linger and haunt, ever out of reach.

With “Sluttering (May 4th),” the band Jawbreaker ink around the outlines of what it is like to feel this specific pain and the particular interpersonal agonies that go along with it: the machinations that can occur, the sheer hurt, the recriminations, the kissoffs (both real and imagined), and where hope goes after all that.

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