Carrie Kahn – Page 2 – Spinning Platters

Film Review: “Five Nights at Freddy’s”

Grin and Fazbear it: Frightfully fun feature fares fine

Abby (Piper Rubio) gazes upon some potential new friends at Freddy Fazbear’s Pizza.

If you’re looking to take the family out for a Halloween movie this week, you could do worse than Five Nights at Freddy’s. It’s rated PG-13, which already makes it more kid- friendly than most R-rated Halloween fare. The rating no doubt was purposeful, so as to allow legions of young fans access: the film is based on a hugely popular video game of the same name. I’ve never played the game, so I may not be the film’s target audience, but as a lightweight horror movie, it’s amusing enough for a mixed audience of game fans, non-fans, kids and adults. The scares are mostly fun, the gore level is mostly low, and the plot is mostly silly.

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Film Review: “Killers of the Flower Moon”

Best reasons to see Scorsese’s new picture? De Niro, DiCaprio, and Gladstone

Ernest (Leonardo DiCaprio) shares a moment with his wife Mollie (Lily Gladstone).

Much has been made of the length of director Martin Scorsese’s Killers of the Flower Moon, which clocks in at three hours and 26 minutes. But give the guy some credit: his previous film, 2019’s much lauded The Irishman, ran three hours and 29 minutes. So he’s heard you, and has let you out of your seat a full three minutes earlier this time. What a guy! But seriously–while a few scenes do feel like they could be trimmed, others you’ll wish you could dwell in longer. For the most part, then, the run time becomes a non-issue. The story is so well told that you’ll remain fully engaged throughout the majority of this sobering but absorbing picture.

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Film Review: “She Came to Me”

Dinklage, Tomei can’t save Miller’s embarrassing misstep

Depressed opera composer Steven (Peter Dinklage) and tugboat captain Katrina (Marisa Tomei) chat over an afternoon drink.

Twenty-one years ago, writer/director Rebecca Miller won the Grand Jury Prize at Sundance for her drama Personal Velocity. Other well-received films followed, including her last film, Arthur Miller: Writer, a 2017 HBO documentary about her famous father. She returns now with She Came to Me, her first narrative feature since 2015’s terrific Maggie’s Plan, and, given her past successes, the results are disappointing.

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Film Feature: Preview #2 of the 46th Mill Valley Film Festival

Our coverage of the 46th Mill Valley Film Festival, which starts tomorrow, Thursday Oct. 5th, and runs through Sunday, Oct. 15th, continues below. We take a look at four titles worthy of your attention: two documentaries and two narrative features. You can browse the full program here, and read our first preview post here. Be sure to bookmark Spinning Platters to check back for more film snapshots during the Fest! And special note: although the Festival’s in person screenings end on the 15th, several films will be available for streaming after the Fest closes.

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Film Review: “A Million Miles Away”

Peña soars in against-all-odds astronaut story

José Hernández (Michael Peña) finally realizes a lifelong dream of becoming an astronaut.

Hollywood has long plumbed the depths of unlikely hero tales. No matter how many Rocky knock-offs the studios churn out, they never seem to tire of downtrodden and impoverished characters who must overcome great odds to lift themselves into a higher station in life. From Rocky to Rudy to Erin Brockovich, Hidden Figures and, most recently, Flamin’ Hot, these tales lift us up and inspire us even as they fight to be unique. So who can blame director Alejandra Márquez Abella for trying her hand at this well-worn but lucrative formula with her new biopic A Million Miles Away? Luckily for us, though, her effort proves to be an excellent addition to the familiar genre.

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Film Review: “The Unknown Country”

Gladstone anchors lovely, meditative film

Tana (Lily Gladstone) pauses on her journey to her cousin’s wedding.

Lily Gladstone first garnered attention for her quietly affecting breakout role in Kelly Reichardt’s 2016 indie award winner Certain Women. She’s been back in the spotlight recently, thanks to Martin Scorsese, who cast her as Mollie, wife to Leonardo DiCaprio’s Ernest, in Scorsese’s highly anticipated upcoming adaptation of Killers of the Flower Moon. In between, Gladstone worked on several other projects (First Cow; Walking Out) and finally landed her first leading role in The Unknown Country, a beautiful, meditative film worthy of her talents.

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Film Review: “Oppenheimer”

Physics, war, and the father of the atomic bomb: Nolan’s biopic captivates

General Leslie Groves (Matt Damon, l.) confers with Manhattan Project scientific director J. Robert Oppenheimer (Cillian Murphy).

Prometheus stole fire from the gods and gave it to man, Greek mythology tells us, and for that he was punished for all eternity. While physicist J. Robert Oppenheimer’s fate wasn’t quite as brutal, it proves nearly as tragic, as we see in Oppenheimer, writer/director Christopher Nolan’s epic new film about the father of the atomic bomb.

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Film Review: “No Hard Feelings”

Limp sex comedy offers few laughs

Percy (Andrew Barth Feldman) and Maddie (Jennifer Lawrence) share a moment together.

Actress and producer Jennifer Lawrence’s new film No Hard Feelings is being promoted as a sex comedy. The big problem, though, is that the picture features almost no sex and even less comedy. The film was directed by Gene Stupnitsky (Dirty Grandpa; Good Boys), who co-wrote the screenplay with fellow comedy writer John Phillips. They both were nominated for a Worst Screenplay Razzie in 2017 for their Dirty Grandpa script, and I wouldn’t be surprised if they receive similar honors for this lackluster comedic attempt.

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Film Review: “Flamin’ Hot”

Longoria’s feature film debut tells warmhearted tale of popular snack’s origin

Richard (Jesse Garcia, l.) and Clarence (Dennis Haysbert) celebrate the production of Flamin’ Hot Cheetos.

Actress Eva Longoria of Desperate Housewives fame made her directorial debut last year with La Guerra Civil, a thoughtful and well-told documentary about Mexican-American boxer Oscar de la Hoya. She’s now helming her first feature film, and the results are more mixed. With Flamin’ Hot, Longoria tells an inspiring rags-to-riches story that, while a bit cliched, features enough strong performances and heart to recommend it.

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Film Review: “You Hurt My Feelings”

No lie here: This film is worth seeing

Don (Tobias Menzies) and Beth (Julia Louis-Dreyfus) have an unexpected conversation with their son.

We’re not even halfway through the year yet, but I think I’ve just seen my Top 10 list’s number one pick. That contender is You Hurt My Feelings, a smart and often painfully funny picture about creativity and relationship dynamics that re-teams writer/director Nicole Holofcener with actress Julia Louis-Dreyfus.

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